Haunted is a novel made up of stories: twenty-three of the most horrifying, hilarious, mind-blowing, stomach-churning tales you’ll ever encounter.
The stories are told by people who have all answered an ad headlined ‘Artists Retreat: Abandon your life for three months‘. They are led to believe that here they will leave behind all the distractions of ‘real life’ that are keeping them from creating the masterpiece that is in them.
But ‘here’ turns out to be a cavernous and ornate old theater where they are utterly isolated from the outside world – and where heat and power and, most importantly, food are in increasingly short supply. And the more desperate the circumstances become, the more desperate the stories they tell – and the more devious their machinations to make themselves the hero of the inevitable play/movie/non-fiction blockbuster that will certainly be made from their plight.
Andy, Dag and Claire have been handed a society priced beyond their means. Twentysomethings, brought up with divorce, Watergate and Three Mile Island, and scarred by the 80s fall-out of yuppies, recession, crack and Ronald Reagan, they represent the new generation — Generation X. Fiercely suspicious of being lumped together as an advertiser's target market, they have quit dreary careers and cut themselves adrift in the California desert. Unsure of their futures, they immerse themselves in a regime of heavy drinking and working at no-future McJobs in the service industry. Underemployed, overeducated, intensely private and unpredictable, they have nowhere to direct their anger, no one to assuage their fears, and no culture to replace their anomie. So they tell stories; disturbingly funny tales that reveal their barricaded inner world. A world populated with dead TV shows, 'Elvis moments' and semi-disposable Swedish furniture...
Jennifer Egan’s spellbinding interlocking narratives circle the lives of Bennie Salazar, an aging former punk rocker and record executive, and Sasha, the passionate, troubled young woman he employs. Although Bennie and Sasha never discover each other’s pasts, the reader does, in intimate detail, along with the secret lives of a host of other characters whose paths intersect with theirs, over many years, in locales as varied as New York, San Francisco, Naples, and Kenya.
We first meet Sasha in her mid-thirties, on her therapist’s couch in New York City, confronting her long-standing compulsion to steal. Later, we learn the genesis of her turmoil when we see her as the child of a violent marriage, then as a runaway living in Naples, then as a college student trying to avert the suicidal impulses of her best friend. We plunge into the hidden yearnings and disappointments of her uncle, an art historian stuck in a dead marriage, who travels to Naples to extract Sasha from the city’s demimonde and experiences an epiphany of his own while staring at a sculpture of Orpheus and Eurydice in the Museo Nazionale. We meet Bennie Salazar at the melancholy nadir of his adult life—divorced, struggling to connect with his nine-year-old son, listening to a washed-up band in the basement of a suburban house—and then revisit him in 1979, at the height of his youth, shy and tender, reveling in San Francisco’s punk scene as he discovers his ardor for rock and roll and his gift for spotting talent. We learn what became of his high school gang—who thrived and who faltered—and we encounter Lou Kline, Bennie’s catastrophically careless mentor, along with the lovers and children left behind in the wake of Lou’s far-flung sexual conquests and meteoric rise and fall.
A Visit from the Goon Squad is a book about the interplay of time and music, about survival, about the stirrings and transformations set inexorably in motion by even the most passing conjunction of our fates. In a breathtaking array of styles and tones ranging from tragedy to satire to PowerPoint, Egan captures the undertow of self-destruction that we all must either master or succumb to; the basic human hunger for redemption; and the universal tendency to reach for both—and escape the merciless progress of time—in the transporting realms of art and music. Sly, startling, exhilarating work from one of our boldest writers.
Easily one of the 20th century's most visionary writers, J. G. Ballard lived far ahead of his time. Called his "prophetic masterpiece" by many, The Atrocity Exhibition practically lies outside of any literary tradition. Part science fiction, part eerie historical fiction, part pornography, its characters adhere to no rules of linearity or stability. This reissued edition features an introduction by William S. Burroughs, extensive text commentary by Ballard, and four additional stories. Of specific interest are the illustrations by underground cartoonist and professional medical illustrator Phoebe Gloeckner. Her ultrarealistic images of eroticism and destruction add an important dimension to Ballard's text.
From the bestselling author of Fight Club comes a hilarious horror satire about a family of professional killers responsible for the most atrocious events in history and the young brothers that are destined to take over.Meet Otto and Cecil. Two brothers growing up privileged in the Welsh countryside. They enjoy watching nature shows, playing with their pet pony, impersonating their Grandfather...and killing the help. Murder is the family business after all. Downton Abbey, this is not. However, it’s not so easy to continue the family legacy with the constant stream of threats and distractions seemingly leaping from the hedgerow. First there is the matter of the veritable cavalcade of escaped convicts that keep showing up at their door. Not to mention the debaucherous new tutor who has a penchant for speaking in Greek and dismembering sex dolls. Then there’s Mummy’s burgeoning opioid addiction. And who knows where Daddy is. He just vanished one day after he and Mummy took a walk in the so called “Ghost Forest.” With Grandfather putting pressure on Otto to step up, it becomes clear that this will all end in only two a nuclear apocalypse or just another day among the creeping thistle and tree peonies. And in a novel written by Chuck Palahniuk, either are equally possible.
From New York Times and USA Today bestselling author Aleatha Romig comes the thrilling sequel in the Consequences series: Truth, a game of deception, intrigue, and conspiracy where losing can be deadly.
Claire survived the consequences.
Through strength and compartmentalization, Claire Nichols captivated her captor. Though Anthony Rawlings thought he taught Claire to behave, his domination became desire, and his obsession morphed into love. Or was it? When her choices pushed Anthony's relentless vendetta too far, Claire barely survived the consequences.
Discover the truth.
Now, armed with new information and more questions than answers, Claire works to uncover the truth behind the dangerous game at play. As she begins anew, she must decide whom she can truly trust, especially with a new set of players on the move.
New set of rules.
With everything to lose and a manipulative game master controlling the board, Claire and Tony duel by a new set of rules. When thrust together once again, can they learn to trust each other to overcome new dangers? Or will this be Tony's second attempt at domination? Can Claire resist the man she'd never before been able to resist? Hatred and love. Deception and truth. Old habits and new beginnings. As this real-life game of chess plays out, past sins will come to light and new secrets will be revealed. With so much riding on each move, the stakes have never been higher.
All truths are easy to understand once they are discovered. The trick is to discover them. - Galileo
Includes the stories “The Body” and “Rita Hayworth and Shawshank Redemption”—set in the fictional town of Castle Rock, Maine
A “hypnotic” (The New York Times Book Review) collection of four novellas—including the inspirations behind the films Stand By Me and The Shawshank Redemption—from Stephen King, bound together by the changing of seasons, each taking on the theme of a journey with strikingly different tones and characters.
This gripping collection begins with “Rita Hayworth and the Shawshank Redemption,” in which an unjustly imprisoned convict seeks a strange and startling revenge—the basis for the Best Picture Academy Award-nominee The Shawshank Redemption.
Next is “Apt Pupil,” the inspiration for the film of the same name about top high school student Todd Bowden and his obsession with the dark and deadly past of an older man in town.
In “The Body,” four rambunctious young boys plunge through the façade of a small town and come face-to-face with life, death, and intimations of their own mortality. This novella became the movie Stand By Me.
Finally, a disgraced woman is determined to triumph over death in “The Breathing Method.”
“The wondrous readability of his work, as well as the instant sense of communication with his characters, are what make Stephen King the consummate storyteller that he is,” hailed the Houston Chronicle about Different Seasons.
NEW YORK TIMES BESTSELLER • Following Last Light comes Final Hour, the second of two standalone eBook original novellas leading in to Ashley Bell, the highly anticipated new novel of suspense from Dean Koontz! Just by touching others, Makani Hisoka-O’Brien can see the darkest secrets they keep. The troubling talent has made the Southern California surfer wary of casual contact. But while impulsively saving a stranger from an accident, she experiences her most disturbing vision. With only a good friend to help her, and mere traces of information to guide her, Makani must track down two mysterious women—one of them innocent, one not. But Makani is stepping into the path of an adversary more dangerous than she can a brutal predator behind a pretty face, who won’t go down without drawing blood. Acclaim for Dean Koontz “Dean Koontz is a prose stylist whose lyricism heightens malevolence and tension. [He creates] characters of unusual richness and depth . . . with a level of perception and sensitivity that is not merely convincing; it’s astonishing.”—The Seattle Times “Demanding much of itself, Koontz’s style bleaches out clichés while showing a genius for details. He leaves his competitors buried in the dust.”—Kirkus Reviews “A rarity among bestselling writers, Koontz continues to pursue new ways of telling stories, never content with repeating himself.”—Chicago Sun-Times “Tumbling, hallucinogenic prose. ‘Serious’ writers . . . might do well to examine his technique.”—The New York Times Book Review “[Koontz] has always had near-Dickensian powers of description, and an ability to yank us from one page to the next that few novelists can match.”—Los Angeles Times “Koontz is a superb plotter and wordsmith. He chronicles the hopes and fears of our time in broad strokes and fine detail, using popular fiction to explore the human condition.”—USA Today “Characters and the search for meaning, exquisitely crafted, are the soul of [Koontz’s] work. . . . One of the master storytellers of this or any age.”—The Tampa Tribune “A literary juggler.”—The Times (London)
A young family moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside.
Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story—of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.
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