Gaius Petrius Ruso is a divorced and down-on his luck army doctor who has made the rash decision to seek his fortune in an inclement outpost of the Roman Empire, namely Britannia. His arrival in Deva (more commonly known as Chester, England) does little to improve his mood, and after a straight thirty six hour shift at the army hospital, he succumbs to a moment of weakness and rescues an injured slave girl, Tilla, from the hands of her abusive owner.
Now he has a new problem: a slave who won’t talk and can’t cook, and drags trouble in her wake. Before he knows it, Ruso is caught in the middle of an investigation into the deaths of prostitutes working out of the local bar. A few years earlier, after he rescued Emperor Trajan from an earthquake in Antioch, Ruso seemed headed for glory: now he’s living among heathens in a vermin-infested bachelor pad and must summon all his forensic knowledge to find a killer who may be after him next.
Who are the true barbarians, the conquered or the conquerors? It’s up to Ruso—certainly the most likeable sleuth to come out of the Roman Empire—to discover the truth. With a gift for comic timing and historic detail, Ruth Downie has conjured an ancient world as raucous and real as our own.
Published in the UK as Medicus (Ruso) and the Disappearing Dancing Girls.
Henry VIII has ordered the dissolution of the monasteries and England is full of informers. At the monastery of Scarnsea, events have spiralled out of control with the murder of Commissioner Robin Singleton. Matthew Shardlake, a lawyer, and his assistant are sent to investigate.
Spring, 1543. King Henry VIII is wooing Lady Catherine Parr, whom he wants for his sixth wife. But this time the object of his affections is resisting. Archbishop Cranmer and the embattled Protestant faction at court are watching keenly, for Lady Catherine is known to have reformist sympathies. Meanwhile, a teenage boy, a religious maniac, has been placed in the Bedlam hospital for the insane. When an old friend of Matthew Shardlake is murdered, his investigations lead to connections to both, and to the prophecies of the book of Revelation. Shardlake follows a trail of horrific murders that are igniting frenzied talk of witchcraft and demonic possession. For what else would the Tudor mind make of a serial killer...?
It is 1540 and the hottest summer of the sixteenth century. Matthew Shardlake, believing himself out of favour with Thomas Cromwell, is busy trying to maintain his legal practice and keep a low profile. But his involvement with a murder case, defending a girl accused of brutally murdering her young cousin, brings him once again into contact with the king’s chief minister – and a new assignment. The secret of Greek Fire, the legendary substance with which the Byzantines destroyed the Arab navies, has been lost for centuries. Now an official of the Court of Augmentations has discovered the formula in the library of a dissolved London monastery. When Shardlake is sent to recover it, he finds the official and his alchemist brother brutally murdered – the formula has disappeared. Now Shardlake must follow the trail of Greek Fire across Tudor London, while trying at the same time to prove his young client’s innocence. But very soon he discovers nothing is as it seems . . .
Combining the best of modern forensic thrillers with the drama of medieval fiction, New York Times' bestselling author Ariana Franklin returns with the third title in the Mistress of the Art of Death series.
England, 1176. Beautiful, tranquil Glastonbury Abbey—one of England's holiest sites, and believed by some to be King Arthur's sacred Isle of Avalon—has been burned almost to the ground. The arsonist remains at large, but the fire has uncovered something even more shocking: two hidden skeletons, a man and a woman. The skeletons' height and age send rumors flying- are the remains those of Arthur and Guinevere?
King Henry II hopes so. Struggling to put down a rebellion in Wales, where the legend of Celtic savior Arthur is particularly strong, Henry wants definitive proof that the bones are Arthur's. If the rebels are sure that the Once and Future King will not be coming to their aid, Henry can stamp out the insurgence for good. He calls on Adelia Aguilar, Mistress of the Art of Death, to examine the bones.
Henry's summons comes not a moment too soon, for Adelia has worn out her welcome in Cambridge. As word of her healing powers has spread, so have rumors of witchcraft. So Adelia and her household ride to Glastonbury, where the investigation into the abbey fire will be overseen by the Church authorities—in this case, the Bishop of St. Albans, who happens also to be the father of Adelia's daughter.
Autumn, 1541. King Henry VIII has set out on a spectacular Progress to the North to attend an extravagant submission by his rebellious subjects in York.
Already in the city are lawyer Matthew Shardlake and his assistant Jack Barak. As well as legal work processing petitions to the King, Shardlake has reluctantly undertaken a secret mission for Archbishop Cranmer – to ensure the welfare of an important but dangerous conspirator who is to be returned to London for interrogation.
But the murder of a York glazier involves Shardlake in deeper mysteries, connected not only to the prisoner in York Castle but to the royal family itself. And when Shardlake and Barak stumble upon a cache of secret documents which could threaten the Tudor throne, a chain of events unfolds that will lead to Shardlake facing the most terrifying fate of the age . . .
Also see: Alternate Cover Editions for this ISBN [ACE] ACE #1
In 1176, King Henry II sends his daughter Joanna to Palermo to marry his cousin, the king of Sicily. Henry chooses Adelia Aguilar, his Mistress of the Art of Death, to travel with the princess and safeguard her health. But when people in the wedding procession are murdered, Adelia and Rowley must discover the killer's identity . . . and whether he is stalking the princess or Adelia herself.
Ariana Franklin combines the best of modern forensic thrillers with the drama of historical fiction in the enthralling second novel in the Mistress of the Art of Death series, featuring medieval heroine Adelia Aguilar.
Rosamund Clifford, the mistress of King Henry II, has died an agonizing death by poison - and the king's estranged queen, Eleanor of Aquitaine, is the prime suspect. Henry suspects that Rosamund's murder is probably the first move in Eleanor's long-simmering plot to overthrow him. If Eleanor is guilty, the result could be civil war. The king must once again summon Adelia Aguilar, mistress of the art of death, to uncover the truth.
Adelia is not happy to be called out of retirement. She has been living contentedly in the countryside, caring for her infant daughter, Allie. But Henry's summons cannot be ignored, and Adelia must again join forces with the king's trusted fixer, Rowley Picot, the Bishop of St. Albans, who is also her baby's father.
Adelia and Rowley travel to the murdered courtesan's home, in a tower within a walled labyrinth - a strange and sinister place from the outside, but far more so on the inside, where a bizarre and gruesome discovery awaits them. But Adelia's investigation is cut short by the appearance of Rosamund's rival: Queen Eleanor. Adelia, Rowley, and the other members of her small party are taken captive by Eleanor's henchmen and held in the nunnery of Godstow, where Eleanor is holed up for the winter with her band of mercenaries, awaiting the right moment to launch their rebellion.
Isolated and trapped inside the nunnery by the snow and cold, Adelia and Rowley watch as dead bodies begin piling up. Adelia knows that there may be more than one killer at work, and she must unveil their true identities before England is once again plunged into civil war . . .
A chilling, mesmerizing novel that combines the best of modern forensic thrillers with the detail and drama of historical fiction. In medieval Cambridge, England, four children have been murdered. The crimes are immediately blamed on the town's Jewish community, taken as evidence that Jews sacrifice Christian children in blasphemous ceremonies. To save them from the rioting mob, the king places the Cambridge Jews under his protection and hides them in a castle fortress. King Henry II is no friend of the Jews-or anyone, really-but he is invested in their fate. Without the taxes received from Jewish merchants, his treasuries would go bankrupt. Hoping scientific investigation will exonerate the Jews, Henry calls on his cousin the King of Sicily-whose subjects include the best medical experts in Europe-and asks for his finest "master of the art of death," an early version of the medical examiner. The Italian doctor chosen for the task is a young prodigy from the University of Salerno. But her name is Adelia-the king has been sent a "mistress" of the art of death. Adelia and her companions-Simon, a Jew, and Mansur, a Moor-travel to England to unravel the mystery of the Cambridge murders, which turn out to be the work of a serial killer, most likely one who has been on Crusade with the king. In a backward and superstitious country like England, Adelia must conceal her true identity as a doctor in order to avoid accusations of witchcraft. Along the way, she is assisted by Sir Rowley Picot, one of the king's tax collectors, a man with a personal stake in the investigation. Rowley may be a needed friend, or the fiend for whom they are searching. As Adelia's investigation takes her into Cambridge's shadowy river paths and behind the closed doors of its churches and nunneries, the hunt intensifies and the killer prepares to strike again . .
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