Vergil Ulam has created cellular material that can outperform rats in laboratory tests. When the authorities rule that he has exceeded his authorization, Vergil loses his job, but is determined to take his discovery with him.
This is a novel Greg Bear wrote in 1985. For novelette by the same name written in 1983 and published in Analog magazine see here: Blood Music.
Stark lives in Colour, a neighbourhood whose inhabitants like to be co-ordinated with their surroundings – a neighbourhood where spangly purple trousers are admired by the walls of buildings as you pass them. Close by is Sound, where you mustn’t make any, apart from one designated hour a day when you can scream your lungs raw. Then there’s Red – get off at Fuck Station Zero if you want to see a tactical nuclear battle recreated as a sales demonstration.
Stark has friends in Red, which is just as well because Something is about to happen. And when a Something happens it’s no good chanting ‘Duck and cover’ while cowering in a corner, because a Something is always from the past, Stark’s past, and it won’t go away until you face it full on.
By the end of the 30th century humanity has the capability to travel the universe, to journey beyond earth and beyond the confines of the vulnerable human frame.The descendants of centuries of scientific, cultural and physical development divide into fleshers — true Homo sapiens; Gleisner robots — embodying human minds within machines that interact with the physical world; and polises — supercomputers teeming with intelligent software, containing the direct copies of billions of human personalities now existing only in the virtual reality of the polis.Diaspora is the story of Yatima — a polis being created from random mutations of the Konishi polis base mind seed — and of humankind, Of an astrophysical accident that spurs the thousandfold cloning of the polises. Of the discovery of an alien race and of a kink in time that means humanity — whatever form it takes — will never again be threatened by acts of God.
In twenty-first century Tokyo, Rez, one of the world's biggest rock stars, prepares to marry Rei Toe, Japan's biggest media star, who is known as the Idoru and who exists only in virtual reality. Reprint.
From the breakdown zones of the mediasphere and the margins of dance culture comes a selection of fifty stories, each one strange, telling, disturbing, or sometimes just plain urban fairytales, instructions for lost machines, true confessions, word-dizzy roller-coasters, product recalls, adverts for mad gadgets, dub cut prose remixes. Throughout them all, Jeff Noon delights in the magical possibilities of language, creating a wholly new kind of storytelling. Ideas-per-page rating, dangerously close to the legal limit
You're either on the inside or the outside -- and either way, you're in trouble. A hustling young artist finds himself on the run from warring tribes, mysterious conspirators, body-swapping hackers and more, as he tries to both survive and strike it rich on the vertical surface of a skyscraper big enough to be its own world.
In a vastly changed world, thirteen centuries from now, Sumner Kagan searches the earth to find the godmind, a malefic being with reality-shaping powers
Autonomous features a rakish female pharmaceutical pirate named Jack who traverses the world in her own submarine. A notorious anti-patent scientist who has styled herself as a Robin Hood heroine fighting to bring cheap drugs to the poor, Jack’s latest drug is leaving a trail of lethal overdoses across what used to be North America—a drug that compels people to become addicted to their work.
On Jack’s trail are an unlikely pair: an emotionally shut-down military agent and his partner, Paladin, a young military robot, who fall in love against all expectations. Autonomous alternates between the activities of Jack and her co-conspirators, and Elias and Paladin, as they all race to stop a bizarre drug epidemic that is tearing apart lives, causing trains to crash, and flooding New York City.
The Diamond Age: Or, a Young Lady's Illustrated Primer is a postcyberpunk novel by Neal Stephenson. It is to some extent a science fiction coming-of-age story, focused on a young girl named Nell, and set in a future world in which nanotechnology affects all aspects of life. The novel deals with themes of education, social class, ethnicity, and the nature of artificial intelligence.
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