The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns to the logic of Aristotle, the theology of Aquinas, and the empirical insights of Roger Bacon to find the killer. He collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey (“where the most interesting things happen at night”) armed with a wry sense of humor and a ferocious curiosity.
A modern classic of historical fiction written in the form of Claudius's autobiography.
Tiberius Claudius Drusus Nero Germanicus lived from 10 B.C. to 54 A.D. Despised as a weakling and dismissed as an idiot because of his physical infirmities, Claudius survived the intrigues and poisonings that marked the reigns of Augustus, Tiberius, and the mad Caligula to become emperor of Rome in 41 A.D. The first part of Robert Graves’s two-part account of the life of Tiberius Claudius, I, Claudius stands as a landmark historical novel of the 20th century from one of its great writers.
From acclaimed novelist Mark Helprin, a lush, literary epic about love, beauty, and the world at war. Alessandro Giuliani, the young son of a prosperous Roman lawyer, enjoys an idyllic life full of privilege: he races horses across the country to the sea, he climbs mountains in the Alps, and, while a student of painting at the ancient university in Bologna, he falls in love. Then the Great War intervenes. Half a century later, in August of 1964, Alessandro, a white-haired professor, tall and proud, meets an illiterate young factory worker on the road. As they walk toward Monte Prato, a village seventy kilometers away, the old man—a soldier and a hero who became a prisoner and then a deserter, wandering in the hell that claimed Europe—tells him how he tragically lost one family and gained another. The boy, envying the richness and drama of Alessandro's experiences, realizes that this magnificent tale is not merely a story: it's a recapitulation of his life, his reckoning with mortality, and above all, a love song for his family.
Celebrating the 500th anniversary of Michelangelo’s David, New American Library releases a special edition of Irving Stone’s classic biographical novel—in which both the artist and the man are brought to life in full. A masterpiece in its own right, this novel offers a compelling portrait of Michelangelo’s dangerous, impassioned loves, and the God-driven fury from which he wrested the greatest art the world has ever known.
Wit and intelligence are the hallmarks of these two probing portraits of the English character written by E.M. Forster. Both are stories of extreme contrasts--in values, social class and cultural perspectives. Romantic relationships lead to conventional happiness in the delightful social comedy A Room with a View, and to unexpected scandal in the richer, deeply moving novel Howards End.
Howards End, which rivals A Passage to India as Forster's greatest work, makes a country house in Hertfordshire the center and the symbol for what Lionel Trilling called a class war about who would inherit England. Commerce clashes with culture, greed with gentility.
A Room with a View brings home the stuffiness of upper-middle-class Edwardian society in a tremendously funny comedy that pairs a well-bred young lady with a lusty railway clerk and satirizes both the clergy and the English notion of respectability.
Quintessentially British, these two novels have become twentieth-century classics. With an introduction and bibliography by Benjamin DeMott.
"But you do," he went on, not waiting for contradiction. "You love the boy body and soul, plainly, directly, as he loves you, and no other word expresses it ..."
Lucy has her rigid, middle-class life mapped out for her, until she visits Florence with her uptight cousin Charlotte, and finds her neatly ordered existence thrown off balance. Her eyes are opened by the unconventional characters she meets at the Pension Bertolini: flamboyant romantic novelist Eleanor Lavish, the Cockney Signora, curious Mr Emerson and, most of all, his passionate son George.
Lucy finds herself torn between the intensity of life in Italy and the repressed morals of Edwardian England, personified in her terminally dull fiancé Cecil Vyse. Will she ever learn to follow her own heart?
All along the Mediterranean coast, the Roman empire's richest citizens are relaxing in their luxurious villas, enjoying the last days of summer. The world's largest navy lies peacefully at anchor in Misenum. The tourists are spending their money in the seaside resorts of Baiae, Herculaneum, and Pompeii.
But the carefree lifestyle and gorgeous weather belie an impending cataclysm, and only one man is worried. The young engineer Marcus Attilius Primus has just taken charge of the Aqua Augusta, the enormous aqueduct that brings fresh water to a quarter of a million people in nine towns around the Bay of Naples. His predecessor has disappeared. Springs are failing for the first time in generations. And now there is a crisis on the Augusta's sixty-mile main line—somewhere to the north of Pompeii, on the slopes of Mount Vesuvius.
Attilius—decent, practical, and incorruptible—promises Pliny, the famous scholar who commands the navy, that he can repair the aqueduct before the reservoir runs dry. His plan is to travel to Pompeii and put together an expedition, then head out to the place where he believes the fault lies. But Pompeii proves to be a corrupt and violent town, and Attilius soon discovers that there are powerful forces at work—both natural and man-made—threatening to destroy him.
With his trademark elegance and intelligence, Robert Harris, bestselling author of Archangel and Fatherland, re-creates a world on the brink of disaster.
Few novelists have conveyed the subtleties and nuances of their own social milieu with the wit and insight of Jane Austen. Through her vivacious and spirited heroines and their circle, she paints vivid portraits of English middle-class life as the eighteenth century came to a close. Each of the novels is a love story and a story about marriage — marriage for love, for financial security, for social status. But they are not mere romances; ironic, comic and wise, they are masterly studies of the society Jane Austen observed. The seven novels in this volume contain some of the most brilliant, dazzling prose in the English language. --back cover
Emma / Lady Susan / Mansfield Park / Northanger Abbey / Persuasion / Pride and Prejudice / Sense and Sensibility
Since its immediate success in 1813, Pride and Prejudice has remained one of the most popular novels in the English language. Jane Austen called this brilliant work "her own darling child" and its vivacious heroine, Elizabeth Bennet, "as delightful a creature as ever appeared in print." The romantic clash between the opinionated Elizabeth and her proud beau, Mr. Darcy, is a splendid performance of civilized sparring. And Jane Austen's radiant wit sparkles as her characters dance a delicate quadrille of flirtation and intrigue, making this book the most superb comedy of manners of Regency England.
Alternate cover edition of ISBN 9780679783268
Welcome Back!
Track your reading progress and sync your library.