S.T. Gibson’s sensational novel is the darkly seductive tale of Dracula’s first bride, Constanta.
This is my last love letter to you, though some would call it a confession. . .
Saved from the brink of death by a mysterious stranger, Constanta is transformed from a medieval peasant into a bride fit for an undying king. But when Dracula draws a cunning aristocrat and a starving artist into his web of passion and deceit, Constanta realizes that her beloved is capable of terrible things.
Finding comfort in the arms of her rival consorts, she begins to unravel their husband’s dark secrets. With the lives of everyone she loves on the line, Constanta will have to choose between her own freedom and her love for her husband. But bonds forged by blood can only be broken by death.
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When Jonathan Harker visits Transylvania to help Count Dracula with the purchase of a London house, he makes a series of horrific discoveries about his client. Soon afterwards, various bizarre incidents unfold in England: an apparently unmanned ship is wrecked off the coast of Whitby; a young woman discovers strange puncture marks on her neck; and the inmate of a lunatic asylum raves about the 'Master' and his imminent arrival.
In Dracula, Bram Stoker created one of the great masterpieces of the horror genre, brilliantly evoking a nightmare world of vampires and vampire hunters and also illuminating the dark corners of Victorian sexuality and desire.
This Norton Critical Edition includes a rich selection of background and source materials in three areas: Contexts includes probable inspirations for Dracula in the earlier works of James Malcolm Rymer and Emily Gerard. Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.
Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer.
A Chronology and a Selected Bibliography are included.
'Ah, the taste and feel of blood when all passion and greed is sharpened in that one desire!' a vampire - but very much not the conventional undead, for Lestat is the truly alive. Lestat is vivid, ecstatic, stagestruck, and in his extravagant story he plunges from the lasciviousness of eighteenth-century Paris to the demonic Egypt of prehistory; from fin-de-siecle New Orleans to the frenetic twentieth-century world of rock superstardom - as, pursued by the living and the dead, he searches across time for the secret of his own dark immortality.
In a darkened room a young man sits telling the macabre and eerie story of his life - the story of a vampire, gifted with eternal life, cursed with an exquisite craving for human blood.
Here are the confessions of a vampire. Hypnotic, shocking, and chillingly erotic, this is a novel of mesmerizing beauty and astonishing force --- a story of danger and flight, of love and loss, of suspense and resolution, and of the extraordinary power of the senses. It is a novel only Anne Rice could write.
A twisting, gothic literary thriller sure to delight fans of Our Wives Under the Sea by Julia Armfield, The Wonder by Emma Donaghue, and The Paying Guests by Sarah Waters.
It is 1962, and Marta Khoury, a trailblazing marine archaeologist, has been called to Cairnroch, a small island off the east coast of Scotland. A Victorian shipwreck, dragged from arctic waters, holds the remains of a celebrated explorer and the treasures of his final expedition. But on her first dive down to the ship, Marta becomes convinced she has seen a dark figure lurking amid the wreckage.
When the Cuban Missile Crisis and the deep chill of a record-breaking winter keeps Marta stranded on Cairnroch, she forms a relationship with Elsie, a local woman working in the island’s only hotel. When the ship's artefacts inexplicably disappear, Marta and Elsie have to brave the freezing conditions to search for the missing objects before anyone else catches on. As something eerie seems to follow her at every step, Marta must confront if the haunting is a figment of her imagination, the repercussions from a terrible mistake from her past, or if something more sinister is at play that will trap her and everyone on the island—and their secrets—in an icy wilderness.
In the steampunk world of Victorian London, a beautiful vampire seeks out the author of Dracula -- to set the record straight . . .
If one is to believe Bram Stoker’s legendary vampire tale, Lucy Weston is Dracula’s most wanton creation, a sexual creature of the night who preys on innocent boys. But the real-life Lucy is nothing like her fictional counterpart -- and she demands to know why the Victorian author deliberately lied. With Stoker’s reluctant help, she’s determined to track down the very fiend who transformed her -- from the sensual underworld where humans vie to become vampires, to a hidden cell beneath a temple to madness, and finally into the glittering Crystal Palace where death reigns supreme.
Haunted by fragmentary memories of her lost life and love, Lucy must battle her thirst for blood as she struggles to stop a catastrophic war that will doom vampires and humans alike. Ultimately, she must make a choice that illuminates for her -- and for us -- what it means to be human.
First published in French as a serial in 1909, The Phantom of the Opera is a riveting story that revolves around the young, Swedish Christine Daaé. Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.
Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.
After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region.
Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom.
Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness.
And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.
Victor and Konrad are the twin brothers Frankenstein and inseparable until Konrad falls gravely ill. In the forbidden Dark Library, Victor finds an ancient formula, and seeks an alchemist to recreate the Elixir of Life. With friends Elizabeth and Henry, he scales highest trees in the Strumwald, dives deepest lake caves, and each sacrifices a body part.
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