A Story of Yesterday is a concise and straight punch to the jaw of life. Under a sky of different colors germinates a magical story of survival, where the result of each choice, enclosed in this particular tale, will snatch the whereabouts of each story forever.
In the small town of Hart's Ridge, a recent tragedy leaves the tight-knit community still reeling. In the highly anticipated ninth installment of the Hart's Ridge small-town mystery series, "Blackbird," Deputy Taylor Gray finds herself supporting a colleague through a painful journey of letting go.
Meanwhile, a young woman and her children must flee from her abusive ex-partner, seeking refuge and safety. Deputy Gray becomes entangled in their plight, blurring the lines between duty and personal conviction.
"Blackbird" masterfully intertwines these dual plot lines, exploring the complexities of small-town life and the resilience of its residents. Brace yourself for an exhilarating journey to the heart of Hart's Ridge—a ride that promises to captivate readers until the final, unforgettable page.
Sometimes it's easier to ask for forgiveness than permission.
Siberia in April isn't in any tourist guidebook. But that is where Trapp finds himself. It's cold, dark, and the vodka tastes like gasoline.
After brawling with half a dozen corrupt Russian cops, he's taken to the infamous penal colony marked on maps as IK-29, but known to inmates as the Black Eagle. The guards are brutes, their prisoners little better than animals. It's hell on earth.
And this time, he's on his own. The Agency has no knowledge of his mission. They wouldn't back him if they did. Because men like Trapp are tools. They aren't supposed to get ideas of their own.
Someone’s found the skeleton in the closet, and it’s not the only one. Wall Street Journal bestselling author Debra Webb presents an emotional new mystery. Crime analyst and newly disgraced deputy police chief Vera Boyett doesn’t visit home often, and she certainly doesn’t venture back into the cave on her family land. But when the remains of her long-missing stepmother are discovered, Vera will have to face a past that threatens all she is. She and her sister Eve had a fairy-tale childhood: good until it was tragic, with a stepmother they never found a bond with. At least they had each other, a baby half-sister, and a mutual devotion that would have them do the unthinkable. It’s a summer in small-town Tennessee, so thick with humidity it could drown you and so rife with secrets it could smother you. And deep beneath the surface, there are more bodies than you’d think…
Midwinter in Orkney. Six hours of daylight. A race against time to catch a killer.Reporter Freya Sinclair has always known she was different. While waiting on the outcome of an autism assessment, Freya uproots her life in Glasgow, quitting her job at one of Scotland’s top broadsheets and taking a local beat in her childhood home of Orkney. But her plans for a quiet life are shattered when human remains are unburied by a winter storm on Orkney’s wild Atlantic coast.
The identity of the bones opens old wounds in the islands, and sheds light on a darker truth nobody wants to accept. As the nights draw in, Freya’s obsessive hunt for answers turns into a cat and mouse game, with each secret she unearths threatening her job, her family, and presenting a murderer with their next victim.
In a place where nothing stays buried forever, is uncovering the truth more important than saving lives?
Stripped Bare by Shannon Baker is "A must read" (Alex Kava, New York Times bestselling author) that stars a female Longmire in the atmospheric Nebraska Sandhills.
Kate Fox is living the dream. She’s married to Grand County Sheriff Ted Conner, the heir to her beloved Nebraska Sandhills cattle ranch, where they live with Kate’s orphaned teenage niece, Carly. With the support of the well-connected Fox Clan, which includes Kate’s eight boisterous and interfering siblings, Ted’s reelection as Grand County Sheriff is virtually assured. That leaves Kate to the solitude and satisfaction of Frog Creek, her own slice of heaven.
One night Kate answers a shattering phone call from Roxy at the Bar J. Carly’s granddad Eldon, owner of the ranch, is dead and Ted has been shot and may never walk again. Kate vows to find the killer. She soon discovers Ted responded so quickly to the scene because he was already at the Bar J . . . in Roxy’s bed. And to add to her woes, Carly has gone missing.
Kate finds out that Eldon was considering selling his ranch to an obscenely rich environmentalist. Some in town hate the idea of an outsider buying up land, others are desperate to sell . . . and some might kill to get their way. As she becomes the victim of several “accidents,” Kate knows she must find the killer before it’s too late. . . .
Welcome to Wensleydale, where the cheese is famous, the scenery beautiful, and the locals have murder on their minds …
Detective Chief Inspector Harry Grimm is forced to take leave from Bristol’s Major Investigations Team when his boss, tired of Harry chasing the ghost of his murderous father, sends him north on secondment.
Used to city life and high stress, Harry fears his life will now be spent handing out speeding tickets, finding lost sheep, and directing tourists. But when a local teenager runs away, Harry finds himself pulled into an investigation much worse than anyone could have ever expected.
The nicer the place, the darker the secrets. Wensleydale is beautiful, everyone is friendly and welcoming, and people just don’t get murdered ... do they?
A classic fish-out-of-water crime mystery set in the stunning and evocative scenery of Wensleydale in North Yorkshire.
A mother's worst nightmare - can her son be guilty of murder?
Sarah Newby, who left school at 15, and was living as a teenage single parent on an inner-city estate, has worked her way up to begin a career as a criminal barrister. But what should she do when her own son, Simon, is arrested and charged with a series of brutal rapes and murders?
Has Sarah, in her single-minded determination to create a career for herself, neglected her son so much that she no longer knows him? He has often lied to her in the past, so how can she trust him when he says he is innocent this time?
When she herself finds evidence of his guilt, how can she defend him?
'A top class British legal thriller which puts the author up there with his American counterparts, John Grisham, Scott Turow and Michael Connolly.' Tim Kevan, barrister.
'A brilliant British crime thriller that you really should read. Sarah Burns, Kindle Book Review.
'One of the ABSOLUTE BEST legal mystery books I've ever read.' Amazon reader review.
Winner of the B.R.A.G Medallion of Excellence, 2016.
A simple job turns deadly when Mary Wandwalker, novice detective, is hired to chaperone a young American, Rhiannon, to the Oxford University Summer School on the ancient Celts. Worried by a rhetoric of blood sacrifice, Mary and her operatives, Caroline, and Anna, attend a sacrifice at a sacred well. They discover that those who fail to individuate their gods become possessed by them. For the so-called Reborn Celts, who run the summer school, have been infiltrated by white supremacists. Could their immersion in myth be less a symbol for psychic wholeness and more a clue of their intent to engage in terrorist violence? Who better to penetrate their secret rites than an apparently harmless woman of a certain age? Mary agrees to spy on the Reborn Celts, then learns, to her horror, of Anna's passionate affair with the chief suspect, Joe Griffith. With Griffith also the object of Rhiannon's obsession, Mary realizes too late that that these 21 st century Celts mean murder. The Reborn Celts draw Mary and her friends into three rites to summon their at an Oxford sacred well, by the Thames on the way to London, and in Celtic London, where bloodshed will restore one of the Thames' 'lost rivers.' Before the fatal night of the summer solstice, Caroline and Anna race to London seeking Mary, who has been kidnapped. Will she end as the crone sacrifice? Or will the three women re-make their detecting family, so re-constituting a pattern of archetypal feminine compassion?
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