Effy Sayre has always believed in fairy tales. Haunted by visions of the Fairy King since childhood, she’s had no choice. Her tattered copy of Angharad—Emrys Myrddin’s epic about a mortal girl who falls in love with the Fairy King, then destroys him—is the only thing keeping her afloat. So when Myrddin’s family announces a contest to redesign the late author’s estate, Effy feels certain it’s her destiny.
But musty, decrepit Hiraeth Manor is an impossible task, and its residents are far from welcoming. Including Preston Héloury, a stodgy young literature scholar determined to expose Myrddin as a fraud. As the two rivals piece together clues about Myrddin’s legacy, dark forces, both mortal and magical, conspire against them—and the truth may bring them both to ruin.
Jess Armstrong’s USA Today bestselling and award-winning series is historical gothic murder mystery at its best, and Ruby Vaughn returns in The Devil in Oxford.
If someone were to ask American heiress Ruby Vaughn how exactly the occult came to play such a large role in her life, she would immediately point to her octogenarian housemate and employer, Mr. Owen. Together, the pair run a rare book shop in Exeter. Mr. Owen’s penchant for arcane, unusual—and occasionally illegal—books has been known to get Ruby into her fair share of trouble. And after the last year, she is looking forward to spending a quiet holiday in picturesque Oxford while Mr. Owen attends the annual meeting of his antiquarian society. Secretly, Ruby is also looking for a holiday from her confounding feelings for Ruan Kivell, the intriguing folk healer Pellar that she met in Cornwall.
When Mr. Owen secures two tickets to an upcoming exhibition of artifacts amassed by disgraced scholar Julius Harker, Ruby reluctantly agrees to attend. The evening turns out to be more eventful than either of them bargained for. Harker’s dead body is discovered amongst the collection, his business partner is hastily arrested, and Ruan arrives…wanting to speak with Ruby. It seems both the arcane and her Pellar have followed Ruby to Oxford.
The murder case is suspicious at best, but the last thing Ruby wants is another investigation. That is, until an old friend comes begging for Ruby’s help. It soon becomes painfully clear that there is more going on in Oxford than meets the eye. Ruby and Ruan will have to uncover the dark secrets of the competitive world of antiquities while trying to understand the peculiar force that keeps drawing them back together.
Perfect for fans of The 7½ Deaths of Evelyn Hardcastle, with a modern gothic twist.
High in the Rocky Mountains on a secluded campus, sits Hildegard College, a celebrated institution known for its scientific innovation and its sprawling, botanical gardens. Historian Robin Quain has been awarded a residency to examine Hildegard’s impressive collection of ancient manuscripts, but she has a secret. She’s actually on the hunt for an artifact—one she must find before her former best friend turned professional rival gets his hands on it first.
But Hildegard has secrets of its own. Strange sounds echo across the alpine lake, lights flicker through the pines, and the faculty seem more like Jazz-age glitterati than academics. And then there’s the professor who holds the key to Robin’s research. She vanished suddenly last spring. What exactly did she do at the college, and why does no one want to talk about her?
As Robin searches for answers, an unknown source sends her a series of cryptic messages that makes her question whether she’s the one doing the hunting, or whether someone is hunting her. Drawing on historical, botanical, and occult research, and steeped in the gothic tradition, Atlas of Unknowable Things considers what it means to search for meaning in the scientific, only to come face to face with the sublime.
“Engrossing listening” (AudioFile): Ann’s work at the Cloisters, a gothic museum of medieval art, takes a turn when she uncovers a mysterious artifact — turning academic curiosity into a deadly game of obsession… This Read With Jenna book club pick and New York Times bestseller is “captivating in every sense of the word” (New York Times bestselling author Sarah Pearse).
On the wheel of fortune, who will emerge on top... and who will die?
When Ann Stilwell arrives in New York City, she hopes to spend her summer working as a curatorial associate at the Metropolitan Museum of Art. Instead, she finds herself assigned to The Cloisters, a gothic museum and garden renowned for its collection of medieval and Renaissance art.
There she is drawn into a small circle of charismatic but enigmatic researchers, including Patrick Roland, the museum's mercurial curator who specializes in the history of tarot; Rachel Mondray, Patrick's beautiful curatorial associate and sometime muse; and Leo Bitburg, the gardener who nurtures the museum's precious collection of medicinal and poison plants.
Relieved to have left her troubled past in rural Washington behind her, Ann longs for the approbation of her colleagues and peers and is happy to indulge their more outlandish theories, only to find that their fascination with fortune-telling runs deeper than academic obsession. Patrick is determined to prove that ancient divination holds the key to the foretelling of the future. And when Ann stumbles across a breakthrough in the form of a mysterious and previously-believed lost deck of 15th-century Italian tarot cards, she finds herself at the centre of a dangerous game of power, toxic friendship and ambition.
Then there is an unexpected and devastating death, and suddenly everyone becomes a suspect. As the game being played within the Cloisters spirals out of control, Ann must decide if the tarot cards can not only teach her about the past, but also about her future.
A budding dark sorceress determined not to use her formidable powers uncovers yet more secrets about the workings of her world in the stunning sequel to A Deadly Education, the start of Naomi Novik’s groundbreaking crossover series.
At the Scholomance, El, Orion, and the other students are faced with their final year—and the looming specter of graduation, a deadly ritual that leaves few students alive in its wake. El is determined that her chosen group will survive, but it is a prospect that is looking harder by the day as the savagery of the school ramps up. Until El realizes that sometimes winning the game means throwing out all the rules . . .
Elspeth needs a monster. The monster might be her.
Elspeth Spindle needs more than luck to stay safe in the eerie, mist-locked kingdom of Blunder—she needs a monster. She calls him the Nightmare, an ancient, mercurial spirit trapped in her head. He protects her. He keeps her secrets.
But nothing comes for free, especially magic.
When Elspeth meets a mysterious highwayman on the forest road, her life takes a drastic turn. Thrust into a world of shadow and deception, she joins a dangerous quest to cure Blunder from the dark magic infecting it. And the highwayman? He just so happens to be the King’s nephew, Captain of the most dangerous men in Blunder…and guilty of high treason.
Together they must gather twelve Providence Cards—the keys to the cure. But as the stakes heighten and their undeniable attraction intensifies, Elspeth is forced to face her darkest secret yet: the Nightmare is slowly taking over her mind. And she might not be able to stop him.
For readers of Adrienne Young, Olivie Blake, Hazel Beck, and Leigh Bardugo’s Ninth House, a spellbinding debut about ambition, privilege, second chance romance, and ancient magic set at an enchanted school tucked among the red mesas of the New Mexico desert, where a formidable pair of magicians are summoned to pursue an alleged killer.
Try as she might, anthropologist Marcella Gibbons can't escape the fact that she's a dimidium, one half of a formidable pair of Magicians, forever tied together to enable the other's powers. After a tumultuous final year at Seinford and Brown College of Agriculture (and Magic) in rural New Mexico, Cella felt more than a little uneasy about returning to the sun-drenched desert campus ever again. She'd cut ties with her other half—the charming and rugged rancher Max Middlemore—and sworn off Magic, academia, and heartache for good.
Until Max turns up at her door, grinning under his cowboy hat for one last favor. Something is shifting at her alma mater, something bigger than anyone understands. One student is dead. Another is floating midair in the infirmary, growling guttural nonsense and terrifying the staff. Their best, perhaps only, chance to intervene requires Cella and Max to work together. But the origins of the disturbances lie centuries ago. To unravel them, Cella will have to confront the truth about her past—and Max. Because she might be challenging a power she could never rival alone . . .
A grim and gothic new tale from author Alix E. Harrow about a small town haunted by secrets that can't stay buried and the sinister house that sits at the crossroads of it all.
Eden, Kentucky, is just another dying, bad-luck town, known only for the legend of E. Starling, the reclusive nineteenth-century author and illustrator who wrote The Underland--and disappeared. Before she vanished, Starling House appeared. But everyone agrees that it’s best to let the uncanny house―and its last lonely heir, Arthur Starling―go to rot.
Opal knows better than to mess with haunted houses or brooding men, but an unexpected job offer might be a chance to get her brother out of Eden. Too quickly, though, Starling House starts to feel dangerously like something she’s never had: a home.
As sinister forces converge on Starling House, Opal and Arthur are going to have to make a dire choice to dig up the buried secrets of the past and confront their own fears, or let Eden be taken over by literal nightmares.
If Opal wants a home, she’ll have to fight for it.
After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region.
Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom.
Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness.
And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.
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