Obey the rules. It’s the only way to survive the night in a short story about what hides in the dark by the New York Times bestselling author of The Southern Book Club’s Guide to Slaying Vampires. Marcus grew up believing his father killed his mother—then blamed it on the boogeyman under the bed. Always leave the lights on, his father warned, or the boogeyman will get you. Marcus still heeds the superstition, especially when he invites his new girlfriend over.
Is Marcus haunted by a creature or has he just inherited his father’s murderous delusions? The night will tell.
Grady Hendrix’s ‘Ankle Snatcher’ is part of Creature Feature, a collection of devilishly creepy stories that tingle the spine and twist the mind. They can be read or listened to in one petrifying sitting.
“I believe there is another man inside every man, a stranger…” writes Wilfred Leland James in the early pages of the riveting confession that makes up “1922,” the first in this pitch-black quartet of mesmerizing tales from Stephen King. For James, that stranger is awakened when his wife, Arlette, proposes selling off the family homestead and moving to Omaha, setting in motion a gruesome train of murder and madness.
In “Big Driver,” a cozy-mystery writer named Tess encounters the stranger along a back road in Massachusetts when she takes a shortcut home after a book-club engagement. Violated and left for dead, Tess plots a revenge that will bring her face-to-face with another stranger: the one inside herself.
“Fair Extension,” the shortest of these tales, is perhaps the nastiest and certainly the funniest. Making a deal with the devil not only saves Dave Streeter from a fatal cancer but provides rich recompense for a lifetime of resentment.
When her husband of more than twenty years is away on one of his business trips, Darcy Anderson looks for batteries in the garage. Her toe knocks up against a box under a worktable and she discovers the stranger inside her husband. It's a horrifying discovery, rendered with bristling intensity, and it definitely ends a good marriage.
Like Different Seasons and Four Past Midnight, which generated such enduring films as The Shawshank Redemption and Stand By Me, Full Dark, No Stars proves Stephen King a master of the long story form.
Humanity's war is eternal, spread across the galaxy and the ages. Humanity's best hope to end the endless slaughter is the Livesuit forces. Soldiers meld their bodies to the bleeding edge technology, becoming something more than human for the duration of a war that might never end.
The first novella set in the universe of James S. A. Corey's epic Captive's War series.
At seventeen, Lenora Hope Hung her sister with a rope
Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred.
Stabbed her father with a knife Took her mother’s happy life
It’s now 1983, and home-health aide Kit McDeere arrives at a decaying Hope’s End to care for Lenora after her previous nurse fled in the middle of the night. In her seventies and confined to a wheelchair, Lenora was rendered mute by a series of strokes and can only communicate with Kit by tapping out sentences on an old typewriter. One night, Lenora uses it to make a tantalizing offer—I want to tell you everything.
“It wasn’t me,” Lenora said But she’s the only one not dead
As Kit helps Lenora write about the events leading to the Hope family massacre, it becomes clear there’s more to the tale than people know. But when new details about her predecessor’s departure come to light, Kit starts to suspect Lenora might not be telling the complete truth—and that the seemingly harmless woman in her care could be far more dangerous than she first thought.
Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity—and skepticism.
Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father’s book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father’s death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in House of Horrors, lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.
In the latest thriller from New York Times bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?
Consummate master of his craft, Stephen King has kept millions awake past midnight shivering at tales that probe the shadows and reveal the dark side. Now listeners can chill to this second dramatic unabridged production of short stories from his best selling book, Night Shift. It brings Stephen King's demonic stories fully to life - and the terror even closer to home.
Dropout drifter Hall has crossed the country doing whatever comes his way. Working the "Graveyard Shift" in a decaying Massachusetts mill under a bullying foreman is just one more leg in his crazy quilt journey, until it leads to a nether realm where the Rat Queen defends her empire. Things are never as they seem, as "The Man Who Loved Flowers" proves one perfect Spring evening on the sidewalks of New York. In "The Last Rung on the Ladder" beautiful Kitty hangs from dizzying heights above a hideous fate and, in "Night Surf," a group of teenagers on a late summer beach watch the world end in a gruesome, viral whimper. The mind-numbing secrets of "Jerusalem's Lot" wait in an ancestral mansion where blood binds the Boone family to a timeless history of unspeakable evil.
Stephen King – who has written more than fifty books, dozens of number one New York Times bestsellers, and many unforgettable movies – delivers an astonishing collection of short stories, his first since Everything’s Eventual six years ago. As guest editor of the bestselling Best American Short Stories 2007, King spent over a year reading hundreds of stories. His renewed passion for the form is evident on every page of Just After Sunset. The stories in this collection have appeared in The New Yorker, Playboy, McSweeney’s, The Paris Review, Esquire, and other publications.
Who but Stephen King would turn a Port-O-San into a slimy birth canal, or a roadside honky-tonk into a place for endless love? A book salesman with a grievance might pick up a mute hitchhiker, not knowing the silent man in the passenger seat listens altogether too well. Or an exercise routine on a stationary bicycle, begun to reduce bad cholesterol, might take its rider on a captivating – and then terrifying – journey. Set on a remote key in Florida, “The Gingerbread Girl” is a riveting tale featuring a young woman as vulnerable – and resourceful – as Audrey Hepburn’s character in Wait Until Dark. In “Ayana,” a blind girl works a miracle with a kiss and the touch of her hand. For King, the line between the living and the dead is often blurry, and the seams that hold our reality intact might tear apart at any moment. In one of the longer stories here, “N.,” which recently broke new ground when it was adapted as a graphic digital entertainment, a psychiatric patient’s irrational thinking might create an apocalyptic threat in the Maine countryside . . . or keep the world from falling victim to it.
Just After Sunset – call it dusk, call it twilight, it’s a time when human intercourse takes on an unnatural cast, when nothing is quite as it appears, when the imagination begins to reach for shadows as they dissipate to darkness and living daylight can be scared right out of you. It’s the perfect time for Stephen King.
A group of mercenaries on an unsanctioned mission survives a plane crash in whiteout conditions in the Tian Shan mountains. The men are accustomed to danger. Now they’re growing accustomed to fear.
Team leader Liev and his band of survivors are stranded in the bitter winds with little hope of rescue—or outlasting the wolves that have scented blood. In the distance is the apparent sanctuary of an abandoned stone fortress. That an ancient bulwark even exists on this forsaken summit is beyond comprehension. So is what lies on the other side of its walls.
From Academy Award–winning filmmaker Guillermo del Toro comes Falling Down, part one of The Boy in the Iron Box, a blood-chilling series of short stories about an ancient secret that was never meant to be unleashed, featuring exclusive interior artwork. Each can be read or listened to in one breathless sitting.
It’s a small city, a place as hauntingly familiar as your own hometown. Only in Derry the haunting is real ...
They were seven teenagers when they first stumbled upon the horror. Now they are grown-up men and women who have gone out into the big world to gain success and happiness. But none of them can withstand the force that has drawn them back to Derry to face the nightmare without an end, and the evil without a name.
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