Between 1927 and his death in 1973, W. H. Auden endowed poetry in the English language with a new face. Or rather, with several faces, since his work ranged from the political to the religious, from the urbane to the pastoral, from the mandarin to the invigoratingly plain-spoken.
This collection presents all the poems Auden wished to preserve, in the texts that received his final approval. It includes the full contents of his previous collected editions along with all the later volumes of his shorter poems. Together, these works display the astonishing range of Auden’s voice and the breadth of his concerns, his deep knowledge of the traditions he inherited, and his ability to recast those traditions in modern times.
The only comprehensive gathering of Frost's published poetry, this affordable volume offers the entire contents of his eleven books of verse, from A Boy's Will (1913) to In the Clearing (1962). Frost scholar Lathem, who was also a close friend of the four-time Pulitzer Prize-winner, scrupulously annotated the 350-plus poems in this collection, which has been the standard edition of Frost's work since it first appeared in 1969.
Set on the coast of England against the vivid background of the sea, The Waves introduces six characters—three men and three women—who are grappling with the death of a beloved friend, Percival. Instead of describing their outward expressions of grief, Virginia Woolf draws her characters from the inside, revealing them through their thoughts and interior soliloquies. As their understanding of nature’s trials grows, the chorus of narrative voices blends together in miraculous harmony, remarking not only on the inevitable death of individuals but on the eternal connection of everyone. The novel that most epitomizes Virginia Woolf’s theories of fiction in the working form, The Waves is an amazing book very much ahead of its time. It is a poetic dreamscape, visual, experimental, and thrilling.
E.E. Cummings is without question one of the major poets of the 20th century, and this volume, first published in 1959, is indispensable for every lover of modern lyrical verse. It contains one hundred of Cummings’s wittiest and most profound poems, harvested from thirty-five of the most radically creative years in contemporary American poetry. These poems exhibit all the extraordinary lyricism, playfulness, technical ingenuity, and compassion for which Cummings is famous. They demonstrate beautifully his extrapolations from traditional poetic structures and his departures from them, as well as the unique synthesis of lavish imagery and acute artistic precision that has won him the adulation and respect of critics and poetry lovers everywhere.
The Collected Poems of W. B. Yeats includes all of the poems authorized by Yeats for inclusion in his standard canon. Breathtaking in range, it encompasses the entire arc of his career, from luminous reworking of ancient Irish myths and legends, to passionate meditations on the demands and rewards of youth and old age, from exquisite, occasionally whimsical songs of love, nature, and art to somber and angry poems of life in a nation torn by war and uprising. In observing the development of rich and recurring images and themes over the course of his body of work, we can trace the quest of this century's greatest poet to unite intellect and artistry in a single magnificent vision.
Revised and corrected, this edition includes Yeat's own notes on his poetry, complemented by explanatory notes from esteemed Yeats scholar Richard J. Finneran. The Collected Poems of W. B. Yeats is the most comprehensive edition of one of the world's most beloved poets available in paperback.
“And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you I will show you fear in a handful of dust”
When The Waste Land was published in 1922, initial reaction to the poem was decidedly negative. Critics attacked the poem's "kaleidoscopic" design, and nearly everyone disagreed furiously about its meaning. The poem was even rumored to a hoax. Eventually, though, The Waste Land went on to become what many regard as the most influential poem written in English in the twentieth century.
"In ten years' time," wrote Edmund Wilson in Axel's Castle (1931), "Elliot has left upon English poetry a mark more unmistakable than that of any other poet writing in English." In 1948, T.S. Eliot was awarded the Nobel Price "for his work as a trail-blazing pioneer of modern poetry."
In addition to the title poem, this selection includes "The Love Song of J. Alfred Prufrock," "Geronition," "Ash-Wednesday," and other poems from Eliot's early and middle work.
Includes: - The Love Song of J. Alfred Prufrock - Preludes - Gerontion - Sweeney Among the Nightingales - The Waste Land: I. The Burial of the Dead II. A Game of Chess III. The Fire Sermon IV. Death by Water V. What the Thunder Said Notes on 'The Waste Land' - Ash-Wednesday -J ourney of the Magi - Marina - Landscapes: I. New Hampshire II. Virginia III. USK - Two Choruses from 'The Rock'
Four Quartets is the culminating achievement of T.S. Eliot's career as a poet. While containing some of the most musical and unforgettable passages in twentieth-century poetry, its four parts, 'Burnt Norton', 'East Coker', 'The Dry Salvages' and 'Little Gidding', present a rigorous meditation on the spiritual, philosophical and personal themes which preoccupied the author. It was the way in which a private voice was heard to speak for the concerns of an entire generation, in the midst of war and doubt, that confirmed it as an enduring masterpiece.
The influence and popularity of Rilke’s poetry in America have never been greater than they are today, more than fifty years after his death. Rilke is unquestionably the most significant and compelling poet of romantic transformation, of spiritual quest, that the twentieth century has known. His poems of ecstatic identification with the world exert a seemingly endless fascination for contemporary readers.
In Stephen Mitchell’s versions, many readers feel that they have discovered an English rendering that captures the lyric intensity, fluency, and reach of Rilke’s poetry more accurately and convincingly than has ever been done before.
Mr. Mitchell is impeccable in his adherence to Rilke’s text, to his formal music, and to the complexity of his thoughts; at the same time, his work has authority and power as poetry in its own right. Few translators of any poet have arrived at the delicate balance of fidelity and originality that Mr. Mitchell has brought off with seeming effortlessness.
Originally published: New York : Random House, 1982.
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