Fledgling, Octavia Butler’s new novel after a seven year break, is the story of an apparently young, amnesiac girl whose alarmingly inhuman needs and abilities lead her to a startling conclusion: She is in fact a genetically modified, 53-year-old vampire. Forced to discover what she can about her stolen former life, she must at the same time learn who wanted – and still wants – to destroy her and those she cares for and how she can save herself. Fledgling is a captivating novel that tests the limits of “otherness” and questions what it means to be truly human.
Librarian's Note: Alternate-cover edition for ISBN 0450031063
Thousands of miles away from the small township of 'Salem's Lot, two terrified people, a man and a boy, still share the secrets of those clapboard houses and tree-lined streets. They must return to 'Salem's Lot for a final confrontation with the unspeakable evil that lives on in the town.
NOS4A2 is a spine-tingling novel of supernatural suspense from master of horror Joe Hill, the New York Times bestselling author of Heart-Shaped Box and Horns.
Victoria McQueen has a secret gift for finding things: a misplaced bracelet, a missing photograph, answers to unanswerable questions. On her Raleigh Tuff Burner bike, she makes her way to a rickety covered bridge that, within moments, takes her wherever she needs to go, whether it’s across Massachusetts or across the country.
Charles Talent Manx has a way with children. He likes to take them for rides in his 1938 Rolls-Royce Wraith with the NOS4A2 vanity plate. With his old car, he can slip right out of the everyday world, and onto the hidden roads that transport them to an astonishing – and terrifying – playground of amusements he calls “Christmasland.”
Then, one day, Vic goes looking for trouble—and finds Manx. That was a lifetime ago. Now Vic, the only kid to ever escape Manx’s unmitigated evil, is all grown up and desperate to forget. But Charlie Manx never stopped thinking about Victoria McQueen. He’s on the road again and he’s picked up a new passenger: Vic’s own son.
Two months since sixty-five thousand alien objects clenched around the Earth like a luminous fist, screaming to the heavens as the atmosphere burned them to ash. Two months since that moment of brief, bright surveillance by agents unknown.
Two months of silence while a world holds its breath.
Now some half-derelict space probe, sparking fitfully past Neptune’s orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever’s out there isn’t talking to us. It’s talking to some distant star, perhaps. Or perhaps to something closer, something en route.
So who do you send to force introductions on an intelligence with motives unknown, maybe unknowable? Who do you send to meet the alien when the alien doesn’t want to meet?
You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees X-rays and tastes ultrasound, so compromised by grafts and splices he no longer feels his own flesh. You send a pacifist warrior in the faint hope she won’t be needed, and a fainter hope she’ll do any good if she is needed. You send a monster to command them all, an extinct hominid predator once called “vampire,” recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist – an informational topologist with half his mind gone – as an interface between here and there, a conduit through which the Dead Center might hope to understand the Bleeding Edge.
You send them all to the edge of interstellar space, praying you can trust such freaks and retrofits with the fate of a world. You fear they may be more alien than the thing they’ve been sent to find.
But you’d give anything for that to be true, if you only knew what was waiting for them…
From holy cup comes holy light; The faithful hand sets world aright. And in the Seven Martyrs’ sight, Mere man shall end this endless night.
It has been twenty-seven long years since the last sunrise. For nearly three decades, vampires have waged war against humanity; building their eternal empire even as they tear down our own. Now, only a few tiny sparks of light endure in a sea of darkness.
Gabriel de León is a silversaint: a member of a holy brotherhood dedicated to defending realm and church from the creatures of the night. But even the Silver Order could not stem the tide once daylight failed us, and now, only Gabriel remains.
Imprisoned by the very monsters he vowed to destroy, the last silversaint is forced to tell his story. A story of legendary battles and forbidden love, of faith lost and friendships won, of the Wars of the Blood and the Forever King and the quest for humanity’s last remaining hope:
The Holy Grail.
From author Jay Kristoff comes Empire of the Vampire, the first illustrated volume of an astonishing new dark fantasy saga.
A Boeing 777 arrives at JFK and is on its way across the tarmac, when it suddenly stops dead. All window shades are pulled down. All lights are out. All communication channels have gone quiet. Crews on the ground are lost for answers, but an alert goes out to the CDC. Dr. Ephraim "Eph" Goodweather, head of their Canary project, a rapid-response team that investigates biological threats, gets the call and boards the plane. What he finds makes his blood run cold.
In a pawnshop in Spanish Harlem, a former professor and survivor of the Holocaust named Abraham Setrakian knows something is happening. And he knows the time has come, that a war is brewing.
So begins a battle of mammoth proportions as the vampiric virus that has infected New York begins to spill out into the streets. Eph, who is joined by Setrakian and a motley crew of fighters, must now find a way to stop the contagion and save his city - a city that includes his wife and son - before it is too late.
A woman must learn to take life by the throat after a night out leads to irrevocable changes in this juicy, thrilling novel from the USA Today bestselling author of Such Sharp Teeth and Black Sheep.
Sloane Parker is dreading her birthday. She doesn’t need a reminder she’s getting older, or that she’s feeling indifferent about her own life.
Her husband surprises her with a birthday weekend getaway—not with him, but with Sloane’s longtime best friend, troublemaker extraordinaire Naomi.
Sloane anticipates a weekend of wine tastings and cozy robes and strategic avoidance of issues she’d rather not confront, like her husband’s repeated infidelity. But when they arrive at their rental cottage, it becomes clear Naomi has something else in mind. She wants Sloane to stop letting things happen to her, for Sloane to really live. So Naomi orchestrates a wild night out with a group of mysterious strangers, only for it to take a horrifying turn that changes Sloane’s and Naomi’s lives literally forever.
The friends are forced to come to terms with some pretty eternal consequences in this bloody, seductive novel about how it’s never too late to find satisfaction, even though it might taste different than expected.
An alternate cover for this edition can be found here
Last year as college freshman, narrator Cal was infected by exotic goth Morgan with a parasite that caused following girlfriends to become vampire-like ghouls he calls parasite-positives "Peeps". A carrier without symptoms, he hunts his progeny for the centuries old bureaucratic Night Watch. But victims are showing more sanity, pretty human Lacey is pushing his buttons, and her apartment building basement houses fierce hordes of ravening rats, red-eyed cats, and monstrous worms that threaten all. Morgan has the secret to a centuries-old conspiracy and upcoming battle to save the human race.
You can find an alternative cover edition for this ISBN here and here.
When Jonathan Harker visits Transylvania to help Count Dracula with the purchase of a London house, he makes a series of horrific discoveries about his client. Soon afterwards, various bizarre incidents unfold in England: an apparently unmanned ship is wrecked off the coast of Whitby; a young woman discovers strange puncture marks on her neck; and the inmate of a lunatic asylum raves about the 'Master' and his imminent arrival.
In Dracula, Bram Stoker created one of the great masterpieces of the horror genre, brilliantly evoking a nightmare world of vampires and vampire hunters and also illuminating the dark corners of Victorian sexuality and desire.
This Norton Critical Edition includes a rich selection of background and source materials in three areas: Contexts includes probable inspirations for Dracula in the earlier works of James Malcolm Rymer and Emily Gerard. Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.
Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer.
A Chronology and a Selected Bibliography are included.
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