From palace coups in the lost city of Hattusas to treachery in the Egyptian court of Tutankhamun, I, the Sun, the saga of the Hittite king Suppiluliumas, rings with authenticity and the passion of a world that existed fourteen hundred years before the birth of Christ. They called him Great King, Favorite of the Storm God, the Valiant. He conquered more than forty nations and brought fear and war to the very doorstep of Eighteenth Dynasty Egypt, but he could not conquer the one woman he truly loved.
For Tanus, the fair-haired young lion of a warrior, the gods have decreed that he will lead Egypt's army in a bold attempt to reunite the Kingdom's shared halves. But Tanus will have to defy the same gods to attain the reward they have forbidden him, an object more prized than battle's possession of the Lady Lostris, a rare beauty with skin the color of oiled ceder--destined for the adoration of a nation, and the love of one extraordinary man.
Here is the magical legend of King Arthur, vividly retold through the eyes and lives of the women who wielded power from behind the throne. A spellbinding novel, an extraordinary literary achievement, THE MISTS OF AVALON will stay with you for a long time to come....
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This novel of awesome beauty and power is a moving saga about people, relationships, and the boundaries of love. Through Jean M. Auel’s magnificent storytelling we are taken back to the dawn of modern humans, and with a girl named Ayla we are swept up in the harsh and beautiful Ice Age world they shared with the ones who called themselves The Clan of the Cave Bear.
A natural disaster leaves the young girl wandering alone in an unfamiliar and dangerous land until she is found by a woman of the Clan, people very different from her own kind. To them, blond, blue-eyed Ayla looks peculiar and ugly--she is one of the Others, those who have moved into their ancient homeland; but Iza cannot leave the girl to die and takes her with them. Iza and Creb, the old Mog-ur, grow to love her, and as Ayla learns the ways of the Clan and Iza’s way of healing, most come to accept her. But the brutal and proud youth who is destined to become their next leader sees her differences as a threat to his authority. He develops a deep and abiding hatred for the strange girl of the Others who lives in their midst, and is determined to get his revenge.
Fifth century Britain is a country of chaos and division after the Roman withdrawal. This is the world of young Merlin, the illegitimate child of a South Wales princess who will not reveal to her son his father's true identity. Yet Merlin is an extraordinary child, aware at the earliest age that he possesses a great natural gift - the Sight. Against a background of invasion and imprisonment, wars and conquest, Merlin emerges into manhood, and accepts his dramatic role in the New Beginning - the coming of King Arthur.
In myth, Theseus was the slayer of the child-devouring Minotaur in Crete. What the founder-hero might have been in real life is another question, brilliantly explored in The King Must Die. Drawing on modern scholarship and archaeological findings at Knossos, Mary Renault's Theseus is an utterly lifelike figure—a king of immense charisma, whose boundless strivings flow from strength and weakness—but also one steered by implacable prophecy.
The story follows Theseus's adventures from Troizen to Eleusis, where the death in the book's title is to take place, and from Athens to Crete, where he learns to jump bulls and is named king of the victims. Richly imbued with the spirit of its time, this is a page-turner as well as a daring act of imagination.
Renault's story of Theseus continues with the sequel The Bull from the Sea.
A modern classic of historical fiction written in the form of Claudius's autobiography.
Tiberius Claudius Drusus Nero Germanicus lived from 10 B.C. to 54 A.D. Despised as a weakling and dismissed as an idiot because of his physical infirmities, Claudius survived the intrigues and poisonings that marked the reigns of Augustus, Tiberius, and the mad Caligula to become emperor of Rome in 41 A.D. The first part of Robert Graves’s two-part account of the life of Tiberius Claudius, I, Claudius stands as a landmark historical novel of the 20th century from one of its great writers.
Giants in the Earth (Norwegian: Verdens Grøde) is a novel by Norwegian-American author Ole Edvart Rølvaag. First published in Norway as two books in 1924 and 1925, the author collaborated with Minnesotan Lincoln Colcord on the English translation.
The novel follows a Norwegian family's struggles as they try to make a new life as pioneers in the Dakota territory. Rølvaag is interested in psychology and the human cost of empire building, at a time when other writers focused on the glamor and romance of the West. The book reflects his personal experiences as a settler as well as the immigrant homesteader experience of his wife’s family. Both the grim realities of pioneering and the gloomy fatalism of the Norse mind are captured in depictions of snow storms, locusts, poverty, hunger, loneliness, homesickness, the difficulty of fitting into a new culture, and the estrangement of immigrant children who grow up in a new land. It is a novel at once palpably European and distinctly American.
Giants in the Earth was turned into an opera by Douglas Moore and Arnold Sundgaard; it won the Pulitzer Prize for Music in 1951.
'The more I know of the world, the more am I convinced that I shall never see a man whom I can really love. I require so much!'
Marianne Dashwood wears her heart on her sleeve, and when she falls in love with the dashing but unsuitable John Willoughby she ignores her sister Elinor's warning that her impulsive behaviour leaves her open to gossip and innuendo. Meanwhile Elinor, always sensitive to social convention, is struggling to conceal her own romantic disappointment, even from those closest to her. Through their parallel experience of love—and its threatened loss—the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love.
This edition includes explanatory notes, textual variants between the first and second editions, and Tony Tanner's introduction to the original Penguin Classic edition.
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