Crime Fiction Mystery Thriller

Pop. 1280

Name: Pop. 1280
Rating: 4.04 (12208 reviews)
Author: Jim Thompson

Jim Thompson

4.04 12.2k Ratings

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Synopsis

Nick Corey likes being the high sheriff of Potts County. But Nick has a few problems that he needs to deal like his loveless marriage, the pimps who torment him, the honest man who is running against him in the upcoming elections and the women who adore him. And it turns out that Nick isn’t anything like as amiable, easy-going or as slow as he seems. He’s as sly, brutal and corrupt as they come.

Books similar to Pop. 1280

The Grifters

★ 3.93

Jim Thompson

To his friends, to his coworkers, and even to his mistress Moira, Roy Dillon is an honest hardworking salesman. He lives in a cheap hotel just within his pay bracket. He goes to work every day. He has hundreds of friends and associates who could attest to his good character.

Yet, hidden behind three gaudy clown paintings in Roy's pallid hotel room, sits fifty-two thousand dollars--the money Roy makes from his short cons, his "grifting." For years, Roy has effortlessly maintained control over his house-of-cards life--until the simplest con goes wrong, and he finds himself critically injured and at the mercy of the most dangerous woman he ever met: his own mother.

THE GRIFTERS, one of the best novels ever written about the art of the con, is an ingeniously crafted story of deception and betrayal that was the basis for Stephen Frears' and Martin Scorsese's 1990 critically-acclaimed film of the same name.

American Tabloid

★ 4.19

James Ellroy

We are behind, and below, the scenes of JFK's presidential election, the Bay of Pigs, the assassination—in the underworld that connects Miami, Los Angeles, Chicago, D.C....

Where the CIA, the Mob, J. Edgar Hoover, Howard Hughes, Jimmy Hoffa, Cuban political exiles, and various loose cannons conspire in a covert anarchy...

Where the right drugs, the right amount of cash, the right murder, buys a moment of a man's loyalty...

Where three renegade law-enforcement officers—a former L.A. cop and two FBI agents—are shaping events with the virulence of their greed and hatred, riding full-blast shotgun into history....

James Ellroy's trademark nothing-spared rendering of reality, blistering language, and relentless narrative pace are here in electrifying abundance, put to work in a novel as shocking and daring as anything he's written: a secret history that zeroes in on a time still shrouded in secrets and blows it wide open.

Chosen by Time magazine as one of the ten best books of the year.

"Hard-bitten ... ingenious ... Ellroy segues into political intrigue without missing a beat." —The New York Times

"Vastly entertaining." —Los Angeles Times

"One hellishly exciting ride." —Detroit Free Press

"A supremely controlled work of art." —The New York Times Book Review

Galveston

★ 3.74

Nic Pizzolatto

Recalling the moody violence of the early novels of Cormac McCarthy and Denis Johnson, a dark and visceral debut set along the seedy wastelands of Galveston by a young writer with a hard edge to his potent literary style On the same day that Roy Cady is diagnosed with a terminal illness, he senses that his boss, a dangerous loan-sharking bar-owner, wants him dead. Known “without affection” to members of the boss’s crew as “Big Country” on account of his long hair, beard, and cowboy boots, Roy is alert to the possibility that a routine assignment could be a deathtrap. Which it is. Yet what the would-be killers do to Roy Cady is not the same as what he does to them, which is to say that after a smoking spasm of violence, they are mostly dead and he is mostly alive. Before Roy makes his getaway, he realizes there are two women in the apartment, one of them still breathing, and he sees something in her frightened, defiant eyes that causes a fateful decision. He takes her with him as he goes on the run from New Orleans to Galveston, Texas—an action as ill-advised as it is inescapable. The girl’s name is Rocky, and she is too young, too tough, too sexy—and far too much trouble. Roy, Rocky, and her sister hide in the battered seascape of Galveston’s country-western bars and fleabag hotels, a world of treacherous drifters, pickup trucks, and ashed-out hopes. Any chance that they will find safety there is soon lost. Rocky is a girl with quite a story to tell, one that will pursue and damage Roy for a very long time to come in this powerful and atmospheric thriller, impossible to put down. Constructed with maximum tension and haunting aftereffect, written in darkly beautiful prose, Galveston announces the arrival of a major new literary talent.

LaBrava

★ 3.81

Elmore Leonard

Photographer Joe LaBrava specialises in capturing the soul of Miami's street life & since he used to do dirty jobs for the government, he understands his subject very well. So when his friend Maury enlists his help to sort out a problem with an ex-film star, Joe is more than happy to help.

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Raymond Chandler's fifth novel has Philip Marlowe going to Hollywood as he explores the underworld of the glitter capital, trying to find a sweet young thing's missing brother. Along the way he uncovers a little blackmail, a lot of drugs, and more than enough murder.

They Shoot Horses, Don’t They?

★ 3.86

Horace McCoy

The marathon dance craze flourished during the 1930s, but the underside was a competition and violence unknown to most ballrooms—a dark side that Horace McCoy's classic American novel powerfully captures.

"Were it not in its physical details so carefully documented, it would be lurid beyond itself." —Nation

The Winter of Frankie Machine

★ 4.19

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The author of The Death and Life of Bobby Z. and The Power of the Dog now gives us a fierce and funny new novel—and a blistering new take on the Mafia story.

Frank Machianno is a late-middle-aged ex–surf bum who runs a bait shack on the San Diego waterfront when he’s not juggling any of his other three part-time jobs or trying to get a quick set in on his longboard. He’s a stand-up businessman, a devoted father to his daughter, and a beloved fixture in the community.

Frank’s also a hit man. Specifically: a retired hit man. Back in the day, when he was one of the most feared members of the West Coast Mafia, he was known as Frankie Machine. Years ago Frank consigned his Mob ties to the past, which is where he wants them to stay. But a favor being called in now by the local boss is one Frank can’t refuse, and soon he’s sucked back into the treacherous currents of his former life. Someone from the past wants him dead. He has to figure out who, and why, and he has to do it fast.

The problem is that the list of candidates is about the size of his local phone book and Frank’s rapidly running out of time.

And then things go really bad.

The Long Goodbye

★ 4.19

Raymond Chandler

Down-and-out drunk Terry Lennox has a problem: his millionaire wife is dead and he needs to get out of LA fast. So he turns to the only friend he can trust: private investigator Philip Marlowe. Marlowe is willing to help a man down on his luck, but later Lennox commits suicide in Mexico and things start to turn nasty. Marlowe is drawn into a sordid crowd of adulterers and alcoholics in LA's Idle Valley, where the rich are suffering one big suntanned hangover. Marlowe is sure Lennox didn't kill his wife, but how many stiffs will turn up before he gets to the truth?

Pop. 1280

Books similar to Pop. 1280

The Grifters

American Tabloid

Galveston

LaBrava

The Little Sister

They Shoot Horses, Don’t They?

The Winter of Frankie Machine

The Long Goodbye

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