In Synners, the line between technology and humanity is hopelessly slim. A constant stream of new technology spawns crime before it hits the streets; the human mind and the external landscape have fused to the point where any encounter with “reality” is incidental.
In twenty-first century Tokyo, Rez, one of the world's biggest rock stars, prepares to marry Rei Toe, Japan's biggest media star, who is known as the Idoru and who exists only in virtual reality. Reprint.
Earth 2381: The hordes of humanity have withdrawn into isolated 1000-story Urbmons, comfortably controlled multicity-buildings which perpetuate an open culture of free sex and unrestricted population growth. Nearly all of Earth's 75 billion live in the hundreds of monolithic structures scattered across the globe, with the exception of the small agricultural communes that supply the Urbmons with food. When a restless Urbmon computer engineer begins to think unblessworthy thoughts of making a trip outside, he risks being labeled a flippo, for whom there is only one punishment.
One man has made it his mission to liberate the mental prisoners. to restore their freedom in a world run mad.
Nickie Halflinger, the only person to escape from Tarnover—where they raise hyper-intelligent children to maintain the political dominance of the USA in the 21st century—is on the run, dodging from loophole to crevice to crack in the computerised data-net that binds the continent like chains. After years of flight and constant changes of identity, at the strange small town called Precipice he discovers he is not alone in his quest. But can his new allies save him when he falls again into the sinister grasp of Tarnover...?
Kidnapped by an interstellar corporation and dragged to Earth, Cat is forced to use his skills to protect those he most hates, those who most hate him . . . .
The taMings. A cyber-augmented, DNA-incestuous clan of such wealth and power that their family arguments change the destiny of worlds. Now one taMing is a killer's target. But which? And who would dare?
Seeking answers, Cat finds lies and savagery, passion and atrocity--trails that lead from crystal valleys to clubs for silver-skinned beauties. From the homicidal enclaves of drug kings to a fanatic's pulpit. From the halls of the Assembly to a cyberspace hell. Seeking assassins, Cat discovers a mystery that could cost him his future. His sanity. His life.
Vurt is a feather--a drug, a dimension, a dream state, a virtual reality. It comes in many colors: legal Blues for lullaby dreams. Blacks, filled with tenderness and pain, just beyond the law. Pink Pornovurts, doorways to bliss. Silver feathers for techies who know how to remix colors and open new dimensions. And Yellows--the feathers from which there is no escape.
The beautiful young Desdemona is trapped in Curious Yellow, the ultimate Metavurt, a feather few have ever seen and fewer still have dared ingest. Her brother Scribble will risk everything to rescue his beloved sister. Helped by his gang, the Stash Riders, hindered by shadowcops, robos, rock and roll dogmen, and his own dread, Scribble searches along the edges of civilization for a feather that, if it exists at all, must be bought with the one thing no sane person would willingly give.
"As hip and breathless as William Gibson, but spiced with dark humor and the horrible realisation that Noon knows of what he writes....Vurt is passionate, distinctive, demanding and enthralling�first-time novelist Noon has started with a bang."�The London Times.
Stark lives in Colour, a neighbourhood whose inhabitants like to be co-ordinated with their surroundings – a neighbourhood where spangly purple trousers are admired by the walls of buildings as you pass them. Close by is Sound, where you mustn’t make any, apart from one designated hour a day when you can scream your lungs raw. Then there’s Red – get off at Fuck Station Zero if you want to see a tactical nuclear battle recreated as a sales demonstration.
Stark has friends in Red, which is just as well because Something is about to happen. And when a Something happens it’s no good chanting ‘Duck and cover’ while cowering in a corner, because a Something is always from the past, Stark’s past, and it won’t go away until you face it full on.
By the end of the 30th century humanity has the capability to travel the universe, to journey beyond earth and beyond the confines of the vulnerable human frame.The descendants of centuries of scientific, cultural and physical development divide into fleshers — true Homo sapiens; Gleisner robots — embodying human minds within machines that interact with the physical world; and polises — supercomputers teeming with intelligent software, containing the direct copies of billions of human personalities now existing only in the virtual reality of the polis.Diaspora is the story of Yatima — a polis being created from random mutations of the Konishi polis base mind seed — and of humankind, Of an astrophysical accident that spurs the thousandfold cloning of the polises. Of the discovery of an alien race and of a kink in time that means humanity — whatever form it takes — will never again be threatened by acts of God.
As Mother India approaches her centenary, nine people are going about their business—a gangster, a cop, his wife, a politician, a stand-up comic, a set designer, a journalist, a scientist, and a dropout. And so is Aj—the waif, the mind reader, the prophet—when she one day finds a man who wants to stay hidden.
In the next few weeks, they will all be swept together to decide the fate of the nation.
River of Gods teems with the life of a country choked with peoples and cultures—one and a half billion people, twelve semi-independent nations, nine million gods. Ian McDonald has written the great Indian novel of the new millennium, in which a war is fought, a love betrayed, a message from a different world decoded, as the great river Ganges flows on.
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