Lucas Corso is a book detective, a middle-aged mercenary hired to hunt down rare editions for wealthy and unscrupulous clients. When a well-known bibliophile is found dead, leaving behind part of the original manuscript of Alexandre Dumas’s The Three Musketeers, Corso is brought in to authenticate the fragment. He is soon drawn into a swirling plot involving devil worship, occult practices, and swashbuckling derring-do among a cast of characters bearing a suspicious resemblance to those of Dumas’s masterpiece. Aided by a mysterious beauty named for a Conan Doyle heroine, Corso travels from Madrid to Toledo to Paris on the killer’s trail in this twisty intellectual romp through the book world.
This war has drawn international attention. In a dress rehearsal for World War II, fascists support the Nationalists, while communists have come to the aid of the Republicans. Atrocities have devastated both sides. It is at this moment, when the Republicans have surrendered, and the Guardia Civil has begun to impose order in the ruins of Madrid, that Tejada finds the body of his best friend, a hero of the siege of Toledo, shot to death on a street named Amor de Dios. Naturally, a Red is suspected. And it is easy for Tejada to assume that the woman caught kneeling over the body is the killer. But when his doubts are aroused, he cannot help seeking justice.
While restoring a 15th-century painting which depicts a chess game between the Duke of Flanders and his knight, Julia, a young art expert, discovers a hidden inscription in the corner: Quis Necavit Equitem. Translation: Who killed the knight? Breaking the silence of five centuries, Julia's hunt for a Renaissance murderer leads her into a modern-day game of sin, betrayal, and death.
A thrilling dark-academia tale of murder, obsession and ruthless ambition set in remote St Andrews, Scotland
On a frigid, windswept day in Scotland’s Western Hebrides, Eleanor Bruton’s body is discovered on the shore. To her family Eleanor was an ordinary middle-aged woman. She made flower arrangements and plumped kneeler cushions at church. Little did they know she was harboring a dark and all-consuming secret: a scrap of fraying embroidery that seems worthless at first glance.
For more than a century two rival organizations of women have gone to deadly lengths to secure the valuable artifact in the hopes of finding the original medieval manuscript from which it was torn: The Order of St Katherine, devoted to the belief that women must pull strings in the shadows to exercise control. And the Fellowship of the Larks, determined to amass as many overt positions of power for women as possible…so long as their methods of doing so never come to light.
When Dr Anya Brown garners international attention for her translation of the cryptic Folio 9, she is handpicked by Diana Cornish, a professor and high-ranking member of the Fellowship of the Larks, to join the exclusive Institute of Manuscript Studies in St Andrews. Meanwhile at Scotland Yard, Detective Clio Spicer begins a private investigation into the death of Eleanor Bruton.
As all of them grow further entangled in this ancient web, circumstances are spinning wildly out of control and their lives may be in grave danger.
Denver homicide detective Cliff Janeway may not always play by the book, but he is an avid collector of rare and first editions. After a local bookscout is killed on his turf, Janeway would like nothing better than to rearrange the suspect's spine. But the suspect, local lowlife Jackie Newton, is a master at eluding the law, and Janeway's wrathful brand of off-duty justice costs him his badge. Turning to his lifelong passion, Janeway opens a small bookshop -- all the while searching for evidence to put Newton away. But when prized volumes in a highly sought-after collection begin to appear, so do dead bodies. Now, Janeway's life is about to start a precarious new chapter as he attempts to find out who's dealing death along with vintage Chandlers and Twains.
Librarian note: an alternate cover for this edition can be found here.
The Jackal. A tall, blond Englishman with opaque, gray eyes. A killer at the top of his profession. A man unknown to any secret service in the world. An assassin with a contract to kill the world's most heavily guarded man.
One man with a rifle who can change the course of history. One man whose mission is so secretive not even his employers know his name. And as the minutes count down to the final act of execution, it seems that there is no power on earth that can stop the Jackal.
Christmas 1951, Los Angeles: a city where the police are as corrupt as the criminals. Six prisoners are beaten senseless in their cells by cops crazed on alcohol. For the three LAPD detectives involved, it will expose the guilty secrets on which they have built their corrupt and violent careers. The novel takes these cops on a sprawling epic of brutal violence and the murderous seedy side of Hollywood. One of the best crime novels ever written, it is the heart of Ellroy's four-novel masterpiece, the LA Quartet, and an example of crime writing at its most powerful.
The narrator of The Bottoms is Harry Collins, an old man obsessively reflecting on certain key experiences of his childhood. In 1933, the year that forms the centerpiece of the narrative, Harry is 11 years old and living with his mother, father, and younger sister on a farm outside of Marvel Creek, Texas, near the Sabine River bottoms. Harry's world changes forever when he discovers the corpse of a young black woman tied to a tree in the forest near his home. The woman, who is eventually identified as a local prostitute, has been murdered, molested, and sexually mutilated. She is also, as Harry will soon discover, the first in a series of similar corpses, all of them the victims of a new, unprecedented sort of monster: a traveling serial killer.
From his privileged position as the son of constable (and farmer and part-time barber) Jacob Collins, Harry watches as the distinctly amateur investigation unfolds. As more bodies -- not all of them "colored" -- surface, the mood of the local residents darkens. Racial tensions -- never far from the surface, even in the best of times -- gradually kindle. When circumstantial evidence implicates an ancient, innocent black man named Mose, the Ku Klux Klan mobilizes, initiating a chilling, graphically described lynching that will occupy a permanent place in Harry Collins's memories. With Mose dead and the threat to local white women presumably put to rest, the residents of Marvel Creek resume their normal lives, only to find that the actual killer remains at large and continues to threaten the safety and stability of the town.
Lansdale uses this protracted murder investigation to open up a window on an insular, poverty-stricken, racially divided community. With humor, precision, and great narrative economy, he evokes the society of Marvel Creek in all its alternating tawdriness and nobility, offering us a varied, absolutely convincing portrait of a world that has receded into history. At the same time, he offers us a richly detailed re-creation of the vibrant, dangerous physical landscapes that were part of that world and have since been buried under the concrete and cement of the industrialized juggernaut of the late 20th century. In Lansdale's hands, the gritty realities of Depression-era Texas are as authentic -- and memorable -- as anything in recent American fiction.
December 1941: America teeters on the brink of war, and in Honolulu, Hawaii, police detective Joe McGrady is assigned to investigate a homicide that will change his life forever. Because the trail of murder he uncovers will lead him across the Pacific, far from home and the woman he loves; and though the U.S. doesn’t know it yet, a Japanese fleet is already steaming toward Pearl Harbor.
This extraordinary novel is so much more than just a gripping crime story—it’s a story of survival against all odds, of love and loss and the human cost of war. Spanning the entirety of World War II, Five Decembers is a beautiful, masterful, powerful novel that will live in your memory forever.
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