A serial murderer known only by a grotesquely apt nickname—Buffalo Bill—is stalking women. He has a purpose, but no one can fathom it, for the bodies are discovered in different states. Clarice Starling, a young trainee at the FBI Academy, is surprised to be summoned by Jack Crawford, chief of the Bureau’s Behavioral Science section. Her assignment: to interview Dr. Hannibal Lecter—Hannibal the Cannibal—who is kept under close watch in the Baltimore State Hospital for the Criminally Insane.
Dr. Lecter is a former psychiatrist with a grisly history, unusual tastes, and an intense curiosity about the darker corners of the mind. His intimate understanding of the killer and of Clarice herself form the core of “The Silence of the Lambs”—an ingenious, masterfully written book and an unforgettable classic of suspense fiction.
An Edgar Award winner “widely regarded as a modern crime classic” (Time), named by Time as one of the 100 Best Mystery and Thriller Books of All Time: A man determined to marry into wealth has found the perfect woman — but when Dorothy gets pregnant, he must make sinister adjustments to his plans… “Contains surprises which really surprise” (Stephen King).
Iconic author Ira Levin’s Edgar Award–winning debut novel set a new standard in the art of psychological suspense. A modern classic published to rave reviews, and twice adapted for the screen, A Kiss Before Dying is a darkly thrilling, twisting tale of criminal psychopathy.
Known for his looks and charm, a young man obsessed with wealth and status will stop at nothing to get what he wants. He sets his sights on a beautiful and innocent college student named Dorothy, intent on marrying her for her family’s money. But when Dorothy becomes pregnant, his careful plans start to unravel, and he begins to take cold, calculating, and drastic measures to protect his future.
A Kiss Before Dying, told from multiple points of view, has thrilled millions of readers with its perfectly constructed plotting and is an acknowledged masterpiece of crime fiction.
This edition includes a brand new foreword by Anthony Horowitz.
A second family has been massacred by the terrifying serial killer the press has christened "The Tooth Fairy." Special Agent Jack Crawford turns to the one man who can help restart a failed investigation: Will Graham. Graham is the greatest profiler the FBI ever had, but the physical and mental scars of capturing Hannibal Lecter have caused Graham to go into early retirement. Now, Graham must turn to Lecter for help.
The year is 1954. U.S. Marshal Teddy Daniels and his new partner, Chuck Aule, have come to Shutter Island, home of Ashecliffe Hospital for the Criminally Insane, to investigate the disappearance of a patient. Multiple murderess Rachel Solando is loose somewhere on this remote and barren island, despite having been kept in a locked cell under constant surveillance. As a killer hurricane relentlessly bears down on them, a strange case takes on even darker, more sinister shades—with hints of radical experimentation, horrifying surgeries, and lethal countermoves made in the cause of a covert shadow war. No one is going to escape Shutter Island unscathed, because nothing at Ashecliffe Hospital is what it seems. But then neither is Teddy Daniels.
First, there were ten—a curious assortment of strangers summoned as weekend guests to a little private island off the coast of Devon. Their host, an eccentric millionaire unknown to all of them, is nowhere to be found. All that the guests have in common is a wicked past they're unwilling to reveal—and a secret that will seal their fate. For each has been marked for murder. A famous nursery rhyme is framed and hung in every room of the mansion:
"Ten little boys went out to dine; One choked his little self and then there were nine. Nine little boys sat up very late; One overslept himself and then there were eight. Eight little boys traveling in Devon; One said he'd stay there then there were seven. Seven little boys chopping up sticks; One chopped himself in half and then there were six. Six little boys playing with a hive; A bumblebee stung one and then there were five. Five little boys going in for law; One got in Chancery and then there were four. Four little boys going out to sea; A red herring swallowed one and then there were three. Three little boys walking in the zoo; A big bear hugged one and then there were two. Two little boys sitting in the sun; One got frizzled up and then there was one. One little boy left all alone; He went out and hanged himself and then there were none."
When they realize that murders are occurring as described in the rhyme, terror mounts. One by one they fall prey. Before the weekend is out, there will be none. Who has choreographed this dastardly scheme? And who will be left to tell the tale? Only the dead are above suspicion.
What if your dream home hid a nightmare beneath the floorboards?
In this relentless, edge-of-your-seat supernatural thriller, a single mother must face an ancient evil to save her daughter—and possibly all of humanity.
When Leah Jones moves into a secluded home in the North Georgia mountains, she believes she’s found peace. But the discovery of a tunnel beneath her basement—and the shrine-like cave it leads to—shatters that illusion. Something nameless and ancient is stalking the mountain. And it’s hungry.
After a local teenager is found brutally killed, Leah and Sheriff Frank Phillips uncover a dark force tied to the land itself. Together, they must confront the beast and its twisted motives before their town—and their lives—are swallowed whole.
For fans of Stephen King, atmospheric horror, and Native American mythology.
At Cold Mountain Penitentiary, along the lonely stretch of cells known as the Green Mile, condemned killers such as 'Billy the Kid' Wharton and the possessed Eduard Delacroix await death strapped in 'Old Sparky'. But good or evil, innocent or guilty, prisoner or guard, none has ever seen the brutal likes of the new prisoner, John Coffey, sentenced to death for raping and murdering two young girls. Is Coffey a devil in human form? Or is he a far, far different kind of being?
There are more wonders in heaven and hell than anyone at Cold Mountain can imagine and one of those wonders might just have stepped in amongst them.
When the discovery of a mass grave in northern Maine reveals the grim truth behind the disappearance of a religious community, private detective Charlie Parker is drawn into a violent conflict with a group of zealots intent on tracking down a relic that could link them to the slaughter. Haunted by the ghost of a small boy and tormented by the demonic killer known as Mr. Pudd, Parker is forced to fight for his lover, his friends...and his very soul.
The narrator of The Bottoms is Harry Collins, an old man obsessively reflecting on certain key experiences of his childhood. In 1933, the year that forms the centerpiece of the narrative, Harry is 11 years old and living with his mother, father, and younger sister on a farm outside of Marvel Creek, Texas, near the Sabine River bottoms. Harry's world changes forever when he discovers the corpse of a young black woman tied to a tree in the forest near his home. The woman, who is eventually identified as a local prostitute, has been murdered, molested, and sexually mutilated. She is also, as Harry will soon discover, the first in a series of similar corpses, all of them the victims of a new, unprecedented sort of monster: a traveling serial killer.
From his privileged position as the son of constable (and farmer and part-time barber) Jacob Collins, Harry watches as the distinctly amateur investigation unfolds. As more bodies -- not all of them "colored" -- surface, the mood of the local residents darkens. Racial tensions -- never far from the surface, even in the best of times -- gradually kindle. When circumstantial evidence implicates an ancient, innocent black man named Mose, the Ku Klux Klan mobilizes, initiating a chilling, graphically described lynching that will occupy a permanent place in Harry Collins's memories. With Mose dead and the threat to local white women presumably put to rest, the residents of Marvel Creek resume their normal lives, only to find that the actual killer remains at large and continues to threaten the safety and stability of the town.
Lansdale uses this protracted murder investigation to open up a window on an insular, poverty-stricken, racially divided community. With humor, precision, and great narrative economy, he evokes the society of Marvel Creek in all its alternating tawdriness and nobility, offering us a varied, absolutely convincing portrait of a world that has receded into history. At the same time, he offers us a richly detailed re-creation of the vibrant, dangerous physical landscapes that were part of that world and have since been buried under the concrete and cement of the industrialized juggernaut of the late 20th century. In Lansdale's hands, the gritty realities of Depression-era Texas are as authentic -- and memorable -- as anything in recent American fiction.
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