The bestselling feminist novel that awakened both women and men, The Women’s Room follows the transformation of Mira Ward and her circle as the women’s movement begins to have an impact on their lives. A biting social commentary on an emotional world gone silently haywire, The Women’s Room is a modern classic that offers piercing insight into the social norms accepted so blindly and revered so completely. Marilyn French questions those accepted norms and poignantly portrays the hopeful believers looking for new truths.
Memoirs of Emma Courtney is an epistolary novel by Mary Hays. Partly autobiographical, the story is based on the author's own one-sided love for William Frend, an English clergyman, social reformer and writer. "Mr and Mrs Melmoth, my uncle and aunt, married young, purely from motives of affection. Mr Melmoth had an active, ardent mind, great benevolence of heart, a sweet and chearful temper, and a liberal manner of thinking, though with few advantages of he possessed, also, a sanguine disposition, a warm heart, a generous spirit, and an integrity which was never called in question. Mrs Melmoth's frame was delicate and fragile; she had great sensibility, quickness of perception, some anxiety of temper, and a refined and romantic manner of thinking, acquired from the perusal of the old romances, a large quantity of which, belonging to a relation, had, in the early periods of her youth, been accidentally deposited in a spare room in her father's house. These qualities were mingled with a devotional spirit, a little bordering on fanatacism. My uncle did not exactly resemble an Orlando, or an Oroondates, but he was fond of reading; and having the command of a ship in the West India trade, had, during his voyages in fine weather, time to indulge in this propensity; by which means he was a tolerable proficient in the belles lettres, and could, on occasion, quote Shakespeare, scribble poetry, and even philosophize with Pope and Bolingbroke."
Cat's Eye is the story of Elaine Risley, a controversial painter who returns to Toronto, the city of her youth, for a retrospective of her art. Engulfed by vivid images of the past, she reminisces about a trio of girls who initiated her into the fierce politics of childhood and its secret world of friendship, longing, and betrayal. Elaine must come to terms with her own identity as a daughter, a lover, and artist, and woman—but above all she must seek release from her haunting memories. Disturbing, hilarious, and compassionate, Cat's Eye is a breathtaking novel of a woman grappling with the tangled knots of her life.
Adunni is a fourteen-year-old Nigerian girl who knows what she wants: an education.
As the only daughter of a broke father, she is a valuable commodity. Removed from school and sold as a third wife to an old man, Adunni's life amounts to this: four goats, two bags of rice, some chickens and a new TV. When unspeakable tragedy swiftly strikes in her new home, she is secretly sold as a domestic servant to a household in the wealthy enclaves of Lagos, where no one will talk about the strange disappearance of her predecessor, Rebecca. No one but Adunni...
As a yielding daughter, a subservient wife, and a powerless servant, fourteen-year-old Adunni is repeatedly told that she is nothing. But Adunni won't be silenced. She is determined to find her voice - in a whisper, in song, in broken English - until she can speak for herself, for the girls like Rebecca who came before, and for all the girls who will follow.
Heralded as Virginia Woolf's greatest novel, this is a vivid portrait of a single day in a woman's life. When we meet her, Mrs. Clarissa Dalloway is preoccupied with the last-minute details of party preparation while in her mind she is something much more than a perfect society hostess. As she readies her house, she is flooded with remembrances of faraway times. And, met with the realities of the present, Clarissa reexamines the choices that brought her there, hesitantly looking ahead to the unfamiliar work of growing old.
A multi-dimensional explosion hurls the starship's few passengers across the galaxies and onto an uncharted barren tundra. With no technical skills and scant supplies, the survivors face a bleak end in an alien world. One brave woman holds the daring answer, but it is the most desperate one possible.
Elegant and electric, We Who Are About To... brings us face to face with our basic assumptions about our will to live. While most of the stranded tourists decide to defy the odds and insist on colonizing the planet and creating life, the narrator decides to practice the art of dying. When she is threatened with compulsory reproduction, she defends herself with lethal force. Originally published in 1977, this is one of the most subtle, complex, and exciting science fiction novels ever written about the attempt to survive a hostile alien environment. It is characteristic of Russ's genius that such a readable novel is also one of her most intellectually intricate.
1970s Afghanistan: Twelve-year-old Amir is desperate to win the local kite-fighting tournament and his loyal friend Hassan promises to help him. But neither of the boys can foresee what would happen to Hassan that afternoon, an event that is to shatter their lives. After the Russians invade and the family is forced to flee to America, Amir realises that one day he must return to an Afghanistan under Taliban rule to find the one thing that his new world cannot grant him: redemption.
Clear-eyed and spirited, Taylor Greer grew up poor in rural Kentucky with the goals of avoiding pregnancy and getting away. But when she heads west with high hopes and a barely functional car, she meets the human condition head-on. By the time Taylor arrives in Tucson, Arizona, she has acquired a completely unexpected child, a three-year-old American Indian girl named Turtle, and must somehow come to terms with both motherhood and the necessity for putting down roots. Hers is a story about love and friendship, abandonment and belonging, and the discovery of surprising resources in apparently empty places.
A modern classic, Housekeeping is the story of Ruth and her younger sister, Lucille, who grow up haphazardly, first under the care of their competent grandmother, then of two comically bumbling great-aunts, and finally of Sylvie, their eccentric and remote aunt. The family house is in the small Far West town of Fingerbone set on a glacial lake, the same lake where their grandfather died in a spectacular train wreck, and their mother drove off a cliff to her death. It is a town "chastened by an outsized landscape and extravagant weather, and chastened again by an awareness that the whole of human history had occurred elsewhere." Ruth and Lucille's struggle toward adulthood beautifully illuminates the price of loss and survival, and the dangerous and deep undertow of transience.
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