Henry David Thoreau (American, 1817 — 1862) extracted himself from the routines of employment and civilized sociability to spend two years in the woods. Walden, Thoreau’s book about his experience published in 1854, has become one of the most highly respected works in American literature.In Thoughts from Walden Pond, Charles Gurche’s brilliant photographs from the diverse regions of America are paired with excerpts from Thoreau’s masterpiece. The pictures with the text transport us to a state of heightened awareness and impart an almost cellular sense of the importance of wild places. Dona Budd’s introductory essay offers an engrossing biography of Thoreau along with her insightful reflections on Walden.
Maybe it was a grandparent, or a teacher or a colleague. Someone older, patient and wise, who understood you when you were young and searching, and gave you sound advice to help you make your way through it. For Mitch Albom, that person was Morrie Schwartz, his college professor from nearly twenty years ago.
Maybe, like Mitch, you lost track of this mentor as you made your way, and the insights faded. Wouldn't you like to see that person again, ask the bigger questions that still haunt you?
Mitch Albom had that second chance. He rediscovered Morrie in the last months of the older man's life. Knowing he was dying of ALS - or motor neurone disease - Mitch visited Morrie in his study every Tuesday, just as they used to back in college. Their rekindled relationship turned into one final 'class': lessons in how to live.
An exhilarating meditation on nature and its seasons—a personal narrative highlighting one year's exploration on foot in the author's own neighborhood in Tinker Creek, Virginia. In the summer, Dillard stalks muskrats in the creek and contemplates wave mechanics; in the fall she watches a monarch butterfly migration and dreams of Arctic caribou. She tries to con a coot; she collects pond water and examines it under a microscope. She unties a snake skin, witnesses a flood, and plays 'King of the Meadow' with a field of grasshoppers.
One of the most influential works of this century, this is a crucial exposition of existentialist thought. Influenced by works such as Don Juan, and the novels of Kafka, these essays begin with a meditation on suicide: the question of living or not living in an absurd universe devoid of order or meaning. With lyric eloquence, Camus posits a way out of despair, reaffirming the value of personal existence, and the possibility of life lived with dignity and authenticity.
A Room of One's Own is an extended essay by Virginia Woolf. First published on the 24th of October, 1929, the essay was based on a series of lectures she delivered at Newnham College and Girton College, two women's colleges at Cambridge University in October 1928. While this extended essay in fact employs a fictional narrator and narrative to explore women both as writers and characters in fiction, the manuscript for the delivery of the series of lectures, titled Women and Fiction, and hence the essay, are considered nonfiction. The essay is seen as a feminist text, and is noted in its argument for both a literal and figural space for women writers within a literary tradition dominated by patriarchy.
Dedicated as few men have been to the life of reason, Bertrand Russell has always been concerned with the basic questions to which religion also addresses itself -- questions about man's place in the universe and the nature of the good life, questions that involve life after death, morality, freedom, education, and sexual ethics. He brings to his treatment of these questions the same courage, scrupulous logic, and lofty wisdom for which his other work as philosopher, writer, and teacher has been famous. These qualities make the essays included in this book perhaps the most graceful and moving presentation of the freethinker's position since the days of Hume and Voltaire.
"I am as firmly convinced that religions do harm as I am that they are untrue," Russell declares in his Preface, and his reasoned opposition to any system or dogma which he feels may shackle man's mind runs through all the essays in this book, whether they were written as early as 1899 or as late as 1954.
The book has been edited, with Lord Russell's full approval and cooperation, by Professor Paul Edwards of the Philosophy Department of New York University. In an Appendix, Professor Edwards contributes a full account of the highly controversial "Bertrand Russell Case" of 1940, in which Russell was judicially declared "unfit" to teach philosophy at the College of the City of New York.
Whether the reader shares or rejects Bertrand Russell's views, he will find this book an invigorating challenge to set notions, a masterly statement of a philosophical position, and a pure joy to read.
Why I am not a Christian -- Has religion made useful contributions to civilization? -- What I believe -- Do we survive death? -- Seems, madam? Nay, it is -- Free man's worship -- On Catholic and Protestant skeptics -- Life in the Middle Ages -- Fate of Thomas Paine -- Nice people -- New generation -- Our sexual ethics -- Freedom and the colleges -- Can religion cure our troubles? -- Religion and morals -- Appendix: How Bertrand Russell was prevented from teaching at the College of the City of New York
This landmark book is a founding work in the literature of black protest. W. E. B. Du Bois (1868–1963) played a key role in developing the strategy and program that dominated early 20th-century black protest in America. In this collection of essays, first published together in 1903, he eloquently affirms that it is beneath the dignity of a human being to beg for those rights that belong inherently to all mankind. He also charges that the strategy of accommodation to white supremacy advanced by Booker T. Washington, then the most influential black leader in America, would only serve to perpetuate black oppression. Publication of The Souls of Black Folk was a dramatic event that helped to polarize black leaders into two groups: the more conservative followers of Washington and the more radical supporters of aggressive protest. Its influence cannot be overstated. It is essential reading for everyone interested in African-American history and the struggle for civil rights in America.
In a volume that is penetrating, introspective, incisive, and laugh-out-loud funny, one of the great men of letters of this era—or any era—holds forth on life, art, sex, politics, and the state of America’s soul. Whether he is describing his coming of age in America, his formative war experiences, or his life as an artist, this is Vonnegut doing what he does best: being himself. Whimsically illustrated by the author, A Man Without a Country is intimate, tender, and brimming with the scope of Kurt Vonnegut’s passions.
'What matters is to live everything. Live the questions for now.'
A hugely influential collection for writers and artists of all kinds, Rilke's profound and lyrical letters to a young friend advise on writing, love, sex, suffering and the nature of advice itself.
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