Books in This Series 2
More by Stephen King
On a six-mile hike on the Maine-New Hampshire branch of the Appalachian Trail, nine-year-old Trisha McFarland quickly tires of the constant bickering between her older brother, Pete, and her recently divorced mother. But when she wanders off by herself and then tries to catch up by attempting a shortcut, she becomes lost in a wilderness maze full of peril and terror.
As night falls, Trisha has only her ingenuity as a defense against the elements, and only her courage and faith to withstand her mounting fears. For solace, she tunes her Walkman to broadcasts of Boston Red Sox baseball games and follows the gritty performances of her hero, relief pitcher Tom Gordon. And when her radio's reception begins to fade, Trisha imagines that Tom Gordon is with her - protecting her from an all-too-real enemy who has left a trail of slaughtered animals and mangled trees in the dense, dark woods...
Five interconnected, sequential narratives, set in the years from 1960 to 1999. Each story is deeply rooted in the sixties, and each is haunted by the Vietnam War.
Stephen King, whose first novel, Carrie, was published in 1974, the year before the last U.S. troops withdrew from Vietnam, is the first hugely popular writer of the TV generation. Images from that war -- and the protests against it -- had flooded America's living rooms for a decade. Hearts in Atlantis, King's newest fiction, is composed of five interconnected, sequential narratives, set in the years from 1960 to 1999. Each story is deeply rooted in the sixties, and each is haunted by the Vietnam War.
In Part One, "Low Men in Yellow Coats," eleven-year-old Bobby Garfield discovers a world of predatory malice in his own neighborhood. He also discovers that adults are sometimes not rescuers but at the heart of the terror.
In the title story, a bunch of college kids get hooked on a card game, discover the possibility of protest...and confront their own collective heart of darkness, where laughter may be no more than the thinly disguised cry of the beast.
In "Blind Willie" and "Why We're in Vietnam," two men who grew up with Bobby in suburban Connecticut try to fill the emptiness of the post-Vietnam era in an America which sometimes seems as hollow -- and as haunted -- as their own lives.
And in "Heavenly Shades of Night Are Falling," this remarkable book's denouement, Bobby returns to his hometown where one final secret, the hope of redemption, and his heart's desire may await him.
Full of danger, full of suspense, most of all full of heart, Stephen King's new book will take some readers to a place they have never been...and others to a place they have never been able to completely leave.
Once, in a kingdom called Delain, there was a king with two sons…
Thus begins one of the most unique tales that master storyteller Stephen King has ever written—a sprawling fantasy of dark magic and the struggle for absolute power that utterly transforms the destinies of two brothers born into royalty. Through this enthralling masterpiece of mythical adventure, intrigue, and terror, you will thrill to this unforgettable narrative filled with relentless, wicked enchantment, and the most terrible of secrets…
The Tommyknockers is a 1987 horror novel by Stephen King. While maintaining a horror style, the novel is more of an excursion into the realm of science fiction, as the residents of the Maine town of Haven gradually fall under the influence of a mysterious object buried in the woods.
In his autobiography, On Writing, King attributes the basic premise to the short story "The Colour Out of Space" by H.P. Lovecraft. It also draws fairly obvious parallels with the classic 1956 movie Invasion of the Body Snatchers & the 1959 novelette The Big Front Yard by Clifford Simak. King wrote the book during a period of acknowledged substance abuse & has written that he realized later on that the novel was a metaphor for that addiction.
The writer & critic Kim Newman has cited another influence on the novel, saying that in it King had "more or less rewritten Quatermass & the Pit," a 1950s BBC television science-fiction serial. This influence was also picked up on in The Times newspaper's review of the book on its release.
Roland, Eddie, Susannah, Jake, and Jake’s pet bumbler survive Blaine the Mono’s final crash, only to find themselves stranded in an alternate version of Topeka, Kansas, one that has been ravaged by the superflu virus. While following the deserted I-70 toward a distant glass palace, they hear the atonal squalling of a thinny, a place where the fabric of existence has almost entirely worn away. While camping near the edge of the thinny, Roland tells his ka-tet a story about another thinny, one that he encountered when he was little more than a boy. Over the course of one long magical night, Roland transports us to the Mid-World of long-ago and a seaside town called Hambry, where Roland fell in love with a girl named Susan Delgado, and where he and his old tet-mates Alain and Cuthbert battled the forces of John Farson, the harrier who—with a little help from a seeing sphere called Maerlyn’s Grapefruit—ignited Mid-World’s final war.
Several months have passed, and Roland’s two new tet-mates have become proficient gunslingers. Eddie Dean has given up heroin, and Odetta’s two selves have joined, becoming the stronger and more balanced personality of Susannah Dean. But while battling The Pusher in 1977 New York, Roland altered ka by saving the life of Jake Chambers, a boy who—in Roland’s where and when—has already died. Now Roland and Jake exist in different worlds, but they are joined by the same madness: the paradox of double memories. Roland, Susannah, and Eddie must draw Jake into Mid-World then follow the Path of the Beam all the way to the Dark Tower. But nothing is easy in Mid-World. Along the way our tet stumbles into the ruined city of Lud, and are caught between the warring gangs of the Pubes and the Grays. The only way out of Lud is to wake Blaine the Mono, an insane train that has a passion for riddling, and for suicidal journeys.
While pursuing his quest for the Dark Tower through a world that is a nightmarishly distorted mirror image of our own, Roland, the last gunslinger, encounters three mysterious doorways on the beach. Each one enters into the life of a different person living in contemporary New York.
Here he links forces with the defiant young Eddie Dean and the beautiful, brilliant, and brave Odetta Holmes, in a savage struggle against underworld evil and otherworldly enemies.
Once again, Stephen King has masterfully interwoven dark, evocative fantasy and icy realism.
Consummate master of his craft, Stephen King has kept millions awake past midnight shivering at tales that probe the shadows and reveal the dark side. Now listeners can chill to this second dramatic unabridged production of short stories from his best selling book, Night Shift. It brings Stephen King's demonic stories fully to life - and the terror even closer to home.
Dropout drifter Hall has crossed the country doing whatever comes his way. Working the "Graveyard Shift" in a decaying Massachusetts mill under a bullying foreman is just one more leg in his crazy quilt journey, until it leads to a nether realm where the Rat Queen defends her empire. Things are never as they seem, as "The Man Who Loved Flowers" proves one perfect Spring evening on the sidewalks of New York. In "The Last Rung on the Ladder" beautiful Kitty hangs from dizzying heights above a hideous fate and, in "Night Surf," a group of teenagers on a late summer beach watch the world end in a gruesome, viral whimper. The mind-numbing secrets of "Jerusalem's Lot" wait in an ancestral mansion where blood binds the Boone family to a timeless history of unspeakable evil.
Stephen King – who has written more than fifty books, dozens of number one New York Times bestsellers, and many unforgettable movies – delivers an astonishing collection of short stories, his first since Everything’s Eventual six years ago. As guest editor of the bestselling Best American Short Stories 2007, King spent over a year reading hundreds of stories. His renewed passion for the form is evident on every page of Just After Sunset. The stories in this collection have appeared in The New Yorker, Playboy, McSweeney’s, The Paris Review, Esquire, and other publications.
Who but Stephen King would turn a Port-O-San into a slimy birth canal, or a roadside honky-tonk into a place for endless love? A book salesman with a grievance might pick up a mute hitchhiker, not knowing the silent man in the passenger seat listens altogether too well. Or an exercise routine on a stationary bicycle, begun to reduce bad cholesterol, might take its rider on a captivating – and then terrifying – journey. Set on a remote key in Florida, “The Gingerbread Girl” is a riveting tale featuring a young woman as vulnerable – and resourceful – as Audrey Hepburn’s character in Wait Until Dark. In “Ayana,” a blind girl works a miracle with a kiss and the touch of her hand. For King, the line between the living and the dead is often blurry, and the seams that hold our reality intact might tear apart at any moment. In one of the longer stories here, “N.,” which recently broke new ground when it was adapted as a graphic digital entertainment, a psychiatric patient’s irrational thinking might create an apocalyptic threat in the Maine countryside . . . or keep the world from falling victim to it.
Just After Sunset – call it dusk, call it twilight, it’s a time when human intercourse takes on an unnatural cast, when nothing is quite as it appears, when the imagination begins to reach for shadows as they dissipate to darkness and living daylight can be scared right out of you. It’s the perfect time for Stephen King.
The Wolves have been defeated, but our tet faces yet another catastrophe. Susannah Dean’s body has been usurped by a demon named Mia who wants to use Susannah’s mortal form to bear a demon child. Stealing Black Thirteen, Mia has traveled through the Unfound Door to 1999 New York where she plans to give birth to her chap, a child born of two mothers and two fathers who will grow up to be Roland’s nemesis. With the help of the time-traveling Manni, Roland and Eddie plan to follow Susannah while Father Callahan and Jake will find Calvin Tower, owner of the vacant lot where a magical rose grows: a rose that must be saved at all costs. But despite our ka-tet’s intentions, ka has its own plans. Jake, Callahan, and Jake’s bumbler companion are transported to New York to follow Susannah, while Eddie and Roland are tumbled into East Stoneham, Maine, where they are greeted by Eddie’s old enemy, the gangster Balazar. But it isn’t just bullets that Roland and Eddie must brave. Soon they will meet their maker, in the form of a young author named Stephen King.
In his New York Times bestselling The Wind Through the Keyhole, Stephen King returns to the spectacular territory of the Dark Tower fantasy saga to tell a story about gunslinger Roland Deschain in his early days.
The Wind Through the Keyhole is a sparkling contribution to the series that can be placed between Dark Tower IV and Dark Tower V. This Russian doll of a novel, a story within a story within a story, visits Roland and his ka-tet as a ferocious, frigid storm halts their progress along the Path of the Beam. Roland tells a tale from his early days as a gunslinger, in the guilt-ridden year following his mother’s death. Sent by his father to investigate evidence of a murderous shape-shifter, Roland takes charge of Bill Streeter, a brave but terrified boy who is the sole surviving witness to the beast’s most recent slaughter. Roland, himself only a teenager, calms the boy by reciting a story from the Book of Eld that his mother used to read to him at bedtime, “The Wind through the Keyhole.” “A person’s never too old for stories,” he says to Bill. “Man and boy, girl and woman, we live for them.”
And stories like The Wind Through the Keyhole live for us with Stephen King’s fantastical magic that “creates the kind of fully imagined fictional landscapes a reader can inhabit for days at a stretch” (The Washington Post).