THE ONLY ONE-VOLUME EDITION CONTAINING ALL 1,775 OF EMILY DICKINSON’S POEMS
Only eleven of Emily Dickinson’s poems were published prior to her death in 1886; the startling originality of her work doomed it to obscurity in her lifetime. Early posthumously published collections-some of them featuring liberally “edited” versions of the poems-did not fully and accurately represent Dickinson’s bold experiments in prosody, her tragic vision, and the range of her intellectual and emotional explorations. Not until the 1955 publication of The Complete Poems of Emily Dickinson, a three-volume critical edition compiled by Thomas H. Johnson, were readers able for the first time to assess, understand, and appreciate the whole of Dickinson’s extraordinary poetic genius.
This book, a distillation of the three-volume Complete Poems, brings together the original texts of all 1,775 poems that Emily Dickinson wrote.
Librarian Note: Also available as an Alternate Cover Edition.
“And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you
I will show you fear in a handful of dust”
When The Waste Land was published in 1922, initial reaction to the poem was decidedly negative. Critics attacked the poem's "kaleidoscopic" design, and nearly everyone disagreed furiously about its meaning. The poem was even rumored to a hoax. Eventually, though, The Waste Land went on to become what many regard as the most influential poem written in English in the twentieth century.
"In ten years' time," wrote Edmund Wilson in Axel's Castle (1931), "Elliot has left upon English poetry a mark more unmistakable than that of any other poet writing in English." In 1948, T.S. Eliot was awarded the Nobel Price "for his work as a trail-blazing pioneer of modern poetry."
In addition to the title poem, this selection includes "The Love Song of J. Alfred Prufrock," "Geronition," "Ash-Wednesday," and other poems from Eliot's early and middle work.
Includes:
- The Love Song of J. Alfred Prufrock
- Preludes
- Gerontion
- Sweeney Among the Nightingales
- The Waste Land:
I. The Burial of the Dead
II. A Game of Chess
III. The Fire Sermon
IV. Death by Water
V. What the Thunder Said
Notes on 'The Waste Land'
- Ash-Wednesday
-J ourney of the Magi
- Marina
- Landscapes:
I. New Hampshire
II. Virginia
III. USK
- Two Choruses from 'The Rock'
E.E. Cummings is without question one of the major poets of the 20th century, and this volume, first published in 1959, is indispensable for every lover of modern lyrical verse. It contains one hundred of Cummings’s wittiest and most profound poems, harvested from thirty-five of the most radically creative years in contemporary American poetry. These poems exhibit all the extraordinary lyricism, playfulness, technical ingenuity, and compassion for which Cummings is famous. They demonstrate beautifully his extrapolations from traditional poetic structures and his departures from them, as well as the unique synthesis of lavish imagery and acute artistic precision that has won him the adulation and respect of critics and poetry lovers everywhere.
The Waste Land, first published in 1922, is often regarded as T.S. Eliot's masterpiece, as well as one of the most important poems of the 20th century and a central work of modernist poetry.
The work, divided in 5 sections, juxtaposes the legend of the Holy Grail and the Fisher King, with a snapshot of early twentieth-century British society. In contemporary times, it is often read published within The Waste Land and Other Poems and has come to be Eliot's most popular poem.
T.S. Elliot
was a poet, essayist, publisher, playwright, literary critic and editor. Born in 1888 in St. Louis (MO, USA), he is considered one of the 20th century's major poets, and a central figure in English-language Modernist poetry."In ten years' time," wrote Edmund Wilson in Axel's Castle (1931), "Elliot has left upon English poetry a mark more unmistakable than that of any other poet writing in English." In 1948, Eliot was awarded the Nobel Price "for his work as a trail-blazing pioneer of modern poetry."
This definitive poetry collection, originally published in 1954 to honor Stevens on his 75th birthday, contains:
- "Harmonium"
- "Ideas of Order"
- "The Man With the Blue Guitar"
- "Parts of the World"
- "Transport Summer"
- "The Auroras of Autumn"
- "The Rock"
Dive deep into The Love Song of J. Alfred Prufrock by T.S. Eliot anywhere you on a plane, on a mountain, in a canoe, under a tree. Or grab a flashlight and read Shmoop under the covers. Shmoop's award-winning Poetry Guides are now available on your Nook. Shmoop eBooks are like having a trusted, fun, chatty, expert poetry-tour-guide always by your side, no matter where you are (or how late it is at night).
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Experts and educators from top universities, including Stanford, UC Berkeley, and Harvard, have written Shmoop guides designed to engage you and to get your brain bubbling. Shmoop is here to make you a better lover (of poetry) and to help you make connections to other poems, works of literature, current events, and pop culture. For more information, check out shmoop.com/poetry
"Smart and consistently humorous." - The Academy of American Poets
At the time of his death in 1962, E. E. Cummings was, next to Robert Frost, the most widely read poet in America. Combining Thoreau's controlled belligerence with the brash abandon of an uninhibited bohemian, Cummings, together with Pound, Eliot, and William Carlos Williams, helped bring about the twentieth-century revolution in literary expression. He is recognized on the one hand as the author of some of the most beautiful lyric poems written in the English language, and on the other as one of the most inventive American poets of his time in the worlds of Richard Kostelanetz, "the major American poet of the middle-twentieth-century."
Four Quartets is the culminating achievement of T.S. Eliot's career as a poet. While containing some of the most musical and unforgettable passages in twentieth-century poetry, its four parts, 'Burnt Norton', 'East Coker', 'The Dry Salvages' and 'Little Gidding', present a rigorous meditation on the spiritual, philosophical and personal themes which preoccupied the author. It was the way in which a private voice was heard to speak for the concerns of an entire generation, in the midst of war and doubt, that confirmed it as an enduring masterpiece.