Lake Wobegon Days
A young narrator chronicles his coming-of-age in Minnesota’s Lake Wobegon, a fictitious small town where all the women are strong, all the men are good-looking, and all the children are above average
A young narrator chronicles his coming-of-age in Minnesota’s Lake Wobegon, a fictitious small town where all the women are strong, all the men are good-looking, and all the children are above average
Holly Golightly knows that nothing bad can ever happen to you at Tiffany's.
In this seductive, wistful masterpiece, Capote created a woman whose name has entered the American idiom and whose style is a part of the literary landscape—her poignancy, wit, and naïveté continue to charm.
It's New York in the 1940s, where the martinis flow from cocktail hour till breakfast at Tiffany's... And nice girls don't, except, of course, Holly Golightly. Pursued by Mafia gangsters and playboy millionaires, Holly is a fragile eyeful of tawny hair and turned-up nose, a heart-breaker, a perplexer, a traveler, a tease. She is irrepressibly 'top banana in the shock department', and one of the shining flowers of American fiction.
Also included are three of Capote's best-known stories:
• House of Flowers - Ottilie is entranced by a beautiful young man, and leaves her life and friends to live with him and his old grandmother, who seems to hate her.
• A Diamond Guitar - Hear the story of the prized possession of a younger prison inmate, a rhinestone-studded guitar.
• A Christmas Memory - A poignant tale of two innocents—a small boy and the old woman who is his best friend—whose sweetness contains a hard, sharp kernel of truth.
Award-winning writer Maile Meloy's return to short stories explores complex lives in an austere landscape with the clear-sightedness that first endeared her to readers.
Meloy's first return to short stories since her critically acclaimed debut, Both Ways Is the Only Way I Want It is an extraordinary new work from one of the most promising writers of the last decade.
Eleven unforgettable new stories demonstrate the emotional power and the clean, assured style that have earned Meloy praise from critics and devotion from readers. Propelled by a terrific instinct for storytelling, and concerned with the convolutions of modern love and the importance of place, this collection is about the battlefields-and fields of victory-that exist in seemingly harmless spaces, in kitchens and living rooms and cars. Set mostly in the American West, the stories feature small-town lawyers, ranchers, doctors, parents, and children, and explore the moral quandaries of love, family, and friendship. A ranch hand falls for a recent law school graduate who appears unexpectedly- and reluctantly-in his remote Montana town. A young father opens his door to find his dead grandmother standing on the front step. Two women weigh love and betrayal during an early snow. Throughout the book, Meloy examines the tensions between having and wanting, as her characters try to keep hold of opposing forces in their lives: innocence and experience, risk and stability, fidelity and desire.
Knowing, sly, and bittersweet, Both Ways Is the Only Way I Want It confirms Maile Meloy's singular literary talent. Her lean, controlled prose, full of insight and unexpected poignancy, is the perfect complement to her powerfully moving storytelling.
Welcome to the Monkey House is a collection of Kurt Vonnegut’s shorter works. Originally printed in publications as diverse as The Magazine of Fantasy and Science Fiction and The Atlantic Monthly, these superb stories share Vonnegut’s audacious sense of humor and extraordinary range of creative vision.
Alternative cover edition here
DeDaumier-Smith's Blue Period, Teddy, and A Perfect Day for Bananafish are among the nine works in a collection of Salinger's perceptive and realistic short stories
Do lobsters feel pain? Did Franz Kafka have a funny bone? What is John Updike's deal, anyway? And what happens when adult video starlets meet their fans in person? David Foster Wallace answers these questions and more in essays that are also enthralling narrative adventures. Whether covering the three-ring circus of a vicious presidential race, plunging into the wars between dictionary writers, or confronting the World's Largest Lobster Cooker at the annual Maine Lobster Festival, Wallace projects a quality of thought that is uniquely his and a voice as powerful and distinct as any in American letters.
Contains: "Big Red Son," "Certainly the End of Something or Other, One Would Sort of Have to Think," "Some Remarks on Kafka's Funniness from Which Probably Not Enough Has Been Removed," "Authority and American Usage," "The View from Mrs. Thompson's," "How Tracy Austin Broke My Heart," "Up, Simba," "Consider the Lobster," "Joseph Frank's Dostoevsky" and "Host."
This book contains two separate stories: "Raise High the Roof Beam, Carpenters" is the first, and "Seymour: An Introduction" is the second.
"Raise High the Roof Beam, Carpenters" is a story about the Glass family, narrated by Buddy, the second oldest brother. Buddy is attending his brother Seymour's wedding to a gal named Muriel, but he's on Army leave during active duty in World War II. At the wedding, everyone is stunned when Seymour does not show up.
The action of the story picks up when several characters end up carpooling together following the failed wedding. The others (the Matron of Honor and her husband, and a couple of stragglers) are talking about Seymour and the disappointment of his not showing up, and Buddy never tells them that he is secretly Seymour's brother, so they talk more openly with him than they otherwise would.
They criticize Seymour and speculate about his character flaws and deficiencies, but Buddy finds their assessments quite judgmental and biased. He then decides to tell the car who he really is, shaming them for their loose criticisms.
He finds Seymour's journal, and he discovers a strange message from their sister Boo Boo for Seymour on their bathroom mirror: "Raise high the roof beam, carpenters. Like Ares comes the bridegroom/ taller far than a tall man." This is a fragment from the Greek poet Sappho.
"Seymour: An Introduction" is a kind of elegy for Seymour from Buddy, told in the form of an introduction to the reader. The reader makes Seymour's acquaintance while knowing that Seymour technically isn't alive when the story is published, having killed himself in 1948.
This portion of the story is told in stream of consciousness, and it discusses Eastern religious mysticism.
Jesus' Son, the first collection of stories by Denis Johnson, presents a unique, hallucinatory vision of contemporary American life unmatched in power and immediacy and marks a new level of achievement for this acclaimed writer. In their intensity of perception, their neon-lit evocation of a strange world brought uncomfortably close to our own, the stories in Jesus' Son offer a disturbing yet eerily beautiful portrayal of American loneliness and hope.
Contains:
Car Crash While Hitchhiking
Two Men
Out on Bail
Dundun
Work
Emergency
Dirty Wedding
The Other Man
Happy Hour
Steady Hands at Seattle General
Beverly Home'
Alternate-cover edition can be found here
In his second collection, Carver establishes his reputation as one of the most celebrated and beloved short-story writers in American literature—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark.