Lake Wobegon Days
A young narrator chronicles his coming-of-age in Minnesota’s Lake Wobegon, a fictitious small town where all the women are strong, all the men are good-looking, and all the children are above average
A young narrator chronicles his coming-of-age in Minnesota’s Lake Wobegon, a fictitious small town where all the women are strong, all the men are good-looking, and all the children are above average
Welcome to the Monkey House is a collection of Kurt Vonnegut’s shorter works. Originally printed in publications as diverse as The Magazine of Fantasy and Science Fiction and The Atlantic Monthly, these superb stories share Vonnegut’s audacious sense of humor and extraordinary range of creative vision.
Alternative cover edition here
Cannery Row is a book without much of a plot. Rather, it is an attempt to capture the feeling and people of a place, the cannery district of Monterey, California, which is populated by a mix of those down on their luck and those who choose for other reasons not to live "up the hill" in the more respectable area of town. The flow of the main plot is frequently interrupted by short vignettes that introduce us to various denizens of the Row, most of whom are not directly connected with the central story. These vignettes are often characterized by direct or indirect reference to extreme violence: suicides, corpses, and the cruelty of the natural world.
The "story" of Cannery Row follows the adventures of Mack and the boys, a group of unemployed yet resourceful men who inhabit a converted fish-meal shack on the edge of a vacant lot down on the Row.
Sweet Thursday is the sequel to Cannery Row.
DeDaumier-Smith's Blue Period, Teddy, and A Perfect Day for Bananafish are among the nine works in a collection of Salinger's perceptive and realistic short stories
Alternate-cover edition can be found here
In his second collection, Carver establishes his reputation as one of the most celebrated and beloved short-story writers in American literature—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark.
Librarian's note: An alternate cover edition can be found here
Navigating between the Indian traditions they've inherited and the baffling new world, the characters in Jhumpa Lahiri's elegant, touching stories seek love beyond the barriers of culture and generations. In "A Temporary Matter," published in The New Yorker, a young Indian-American couple faces the heartbreak of a stillborn birth while their Boston neighborhood copes with a nightly blackout. In the title story, an interpreter guides an American family through the India of their ancestors and hears an astonishing confession. Lahiri writes with deft cultural insight reminiscent of Anita Desai and a nuanced depth that recalls Mavis Gallant.
Considered by critics to be Barth's most distinguished masterpiece, The Sot-Weed Factor has acquired the status of a modern classic. Set in the late 1600s, it recounts the wildly chaotic odyssey of hapless, ungainly Ebenezer Cooke, sent to the New World to look after his father's tobacco business and to record the struggles of the Maryland colony in an epic poem.
On his mission, Cooke experiences capture by pirates and Indians; the loss of his father's estate to roguish impostors; love for a farmer prostitute; stealthy efforts to rob him of his virginity, which he is (almost) determined to protect; and an extraordinary gallery of treacherous characters who continually switch identities. A hilarious, bawdy tribute to all the most insidious human vices, The Sot-Weed Factor has a lasting relevance for readers of all times.
From the internationally best-selling, Pulitzer Prize–winning author, a superbly crafted new work of fiction: eight stories—longer and more emotionally complex than any she has yet written—that take us from Cambridge and Seattle to India and Thailand as they enter the lives of sisters and brothers, fathers and mothers, daughters and sons, friends and lovers.
In the stunning title story, Ruma, a young mother in a new city, is visited by her father, who carefully tends the earth of her garden, where he and his grandson form a special bond. But he’s harboring a secret from his daughter, a love affair he’s keeping all to himself. In “A Choice of Accommodations,” a husband’s attempt to turn an old friend’s wedding into a romantic getaway weekend with his wife takes a dark, revealing turn as the party lasts deep into the night. In “Only Goodness,” a sister eager to give her younger brother the perfect childhood she never had is overwhelmed by guilt, anguish, and anger when his alcoholism threatens her family. And in “Hema and Kaushik,” a trio of linked stories—a luminous, intensely compelling elegy of life, death, love, and fate—we follow the lives of a girl and boy who, one winter, share a house in Massachusetts. They travel from innocence to experience on separate, sometimes painful paths, until destiny brings them together again years later in Rome.
Unaccustomed Earth is rich with Jhumpa Lahiri’s signature gifts: exquisite prose, emotional wisdom, and subtle renderings of the most intricate workings of the heart and mind. It is a masterful, dazzling work of a writer at the peak of her powers.
Do lobsters feel pain? Did Franz Kafka have a funny bone? What is John Updike's deal, anyway? And what happens when adult video starlets meet their fans in person? David Foster Wallace answers these questions and more in essays that are also enthralling narrative adventures. Whether covering the three-ring circus of a vicious presidential race, plunging into the wars between dictionary writers, or confronting the World's Largest Lobster Cooker at the annual Maine Lobster Festival, Wallace projects a quality of thought that is uniquely his and a voice as powerful and distinct as any in American letters.
Contains: "Big Red Son," "Certainly the End of Something or Other, One Would Sort of Have to Think," "Some Remarks on Kafka's Funniness from Which Probably Not Enough Has Been Removed," "Authority and American Usage," "The View from Mrs. Thompson's," "How Tracy Austin Broke My Heart," "Up, Simba," "Consider the Lobster," "Joseph Frank's Dostoevsky" and "Host."